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    Nicholas Nickleby, Adaptation, Rehearsal and Catharsis by Luc Bouvard

    Published 2008-12-01
    “…The 1947 Cavalcanti version uses the film to clearly state its adaptation process and flaunt its formal independence from the initial literary text while the Jim Goddard shooting of the David Edgar-Trevor Nunn-John Caird’s 9-hour long adaptation stands as a Marxist manifesto. The recent B.B.C. version directed by Stephen Whittaker dwells on the Nicholas-Smike didactic relationship and Douglas McGrath seems to continue along that line while stressing the pseudo-psychoanalytical relationship between the two characters. …”
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