“In the interests of all of us…”: Theodore Roosevelt and the Launch of Immigration Restriction as an Executive Concern by Hans Krabbendam

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The History of Miss Jane Pittman by Christopher Mulvey

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The State You’re In: Citizenship, Sovereign Power, and The (Political) Rescue of the Self in Kazuko Kuramoto’s Manchurian Legacy by Andrea Pacor

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Shaping a Collective Identity through Self-Representation: Early Suffrage Autobiographies and the Militant Experience by Chloé Clément

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Inventario provisorio de las memorias anarquistas y anarcosindicalistas españolas by Joël Delhom

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Sergio Pitol e os disfarces da autobiografia by Rafael Gutiérrez

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“If only you could see me now”: Autoportrait et théâtralité dans les lettres de Sylvia Plath à sa mère by Laure DE NERVAUX-GAVOTY

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Trauma Talk by Siri Husvedt

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Inside Paul Auster’s Crypt: Autobiography and Spectrality in Ghosts by Giorgos GIANNAKOPOULOS

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In the Footsteps of Footsteps: Holmes and Stevenson in the Cévennes by Ellen Levy

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White Women in the 1960s Freedom Movement, From Memory to History: The writing of “Shiloh Witness,” a chapter in Deep in Our Hearts (2000) by Joan Browning

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B.S. Johnson ou l’équilibre de l’écart by Vanessa Guignery

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L’œuvre d’Alan Berliner ou l’autobiographie comme l’affaire de tous by Jean-Luc Lioult

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Report from the Interior in Paul Auster’s work: Self-writing or “the uninterrupted narrative that continues until the day we die” by Sophie VALLAS

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Être, se représenter, se dire. Lettres d’étudiantes norvégiennes dans une nation en construction (fin XIXe – première moitié du XXe siècle) by Anna Cabanel

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Non-Fictional Interwar Narratives by English Writers by Barbara PUSCHMANN-NALENZ

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« Salvation addiction » : vers une vision post-confessionnelle de la mère dans la poésie de Sharon Olds by Erik MARTINY

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Dans un Etat proche de l’Ohio : IOWA de Nancy Rexroth by Jean-Marc Victor

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Cinema as Testimony and Discourse for History: Film Cityscapes in Autobiographical Documentaries by Iván Villarmea Álvarez

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Dramatic Autobiography: the Poetic Voice Recreating Itself in Dante Gabriel Rossetti’s ‘The Bride’s Prelude’ by Raphaël Rigal

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