Dans l’excès de visibilité : jeu du montrer / cacher dans les photographies de Lorna Simpson by Claudine Armand

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Visions of Liberty, Rooms With Views. Squaring The Circle: Harriet Hale Woolley, Past & Present by Christopher Alexander Kostritsky Gellert

“…The exhibition focused on the history of the grant and its importance to American artists studying in Paris, as well as what it means to be an American artist living abroad in France. …”
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„Tabula Rasa”. O medium i pamięci w odniesieniu do twórczości Sarah Charlesworth i pism Rosalind E. Krauss by Filip Pręgowski

“…The article examines a series of serigraphs by American artist Sarah Charlesworth, titled Tabula Rasa, created in 1981, and analyses them in the context of the artistic medium. …”
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Dans un Etat proche de l’Ohio : IOWA de Nancy Rexroth by Jean-Marc Victor

“…In 2017, Iowa, a book of photographs by American artist Nancy Rexroth first published in 1977 and long out of print, came out in a revised and augmented edition. …”
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The Word become Flesh. Wild orality and “palliative” conservation for the Mexican performative arts by Juan Gerardo Ugalde Salinas

“…This text revisits some considerations on the treatment and conservation of these very specific works, decanted to the movements of Latin American artistic autonomy, and which in a consensus between specialists and artists, may find in orality and “assisted” disappearance a chance to ensure their perpetuity.…”
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Le Désert comme scène de l’avoir lieu : Robert Smithson et Noah Purifoy by Antonia Rigaud

“…This article looks at the works of two American artists from the second half of the 20th century : Noah Purifoy and Robert Smithson. …”
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Gauguin, Buffalo Bill, and the Cowboy Hat by Nancy Mowll Mathews

“…Gauguin’s New World context was extensive, and included his Peruvian and other South American relatives, his art world audience of American artists and collectors, and, finally, his expatriation to the Pacific islands of Tahiti and the Marquesas. …”
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