« O Paradiso » : voix parlée, voix chantée dans The Gigli Concert (1983) de Tom Murphy by Alexandra Poulain

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‘Groaning wicked like a maddening dog’: Bestiality, Modernity and Irishness in J. M. Synge’s The Playboy of the Western World by Hélène Lecossois

“…It was these other expressions of corporeality - less easily legible and more beastly - which piqued Synge’s interest and which, in Playboy, offer traces of an inexpungible and co-existing alternative to the modernity of the (Abbey) theatre as an institution.…”
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Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

“…From 1900 to 1907, Yeats’s most important collaborator was Franck Fay, co-director of the young Abbey Theatre. After a first career, with his brother William, in the aera of popular irish theatre, he tried to apply in the Abbey the vocal training of the “french model”, from Coquelin to… Sarah Bernhardt, and the Paris Conservatoire. …”
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