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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams
Published 2015-12-01“…The examination of his most famous play – A Streetcar Named Desire – reveals the influence of Cocteau and Eisenstein’s films and theories, giving us a new insight into Williams’s creative process.…”
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Tennessee Williams’s post-pastoral Southern gardens in text and on the movie screen
Published 2012-01-01“…This study explores the representation of the American South in the film adaptations of five plays by the Mississippi-born playwright, Tennessee Williams: A Streetcar Named Desire (Elia Kazan, 1951), Baby Doll (Elia Kazan, 1956), Cat on a Hot Tin Roof (Richard Brooks, 1958), Suddenly Last Summer (Joseph L. …”
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