Narrativität hören

The audiobook, located at the disciplinary interface of literature, media, theatre, language, speech and book studies, is still largely unexplored in France. Based on (neuro-)psychological aesthetics and narratological controversies over the concept of voice, using theoretical considerations and aud...

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Main Author: Kerstin Hausbei
Format: Article
Language:deu
Published: Presses universitaires de Strasbourg 2024-07-01
Series:Recherches Germaniques
Subjects:
Online Access:https://journals.openedition.org/rg/12282
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author Kerstin Hausbei
author_facet Kerstin Hausbei
author_sort Kerstin Hausbei
collection DOAJ
description The audiobook, located at the disciplinary interface of literature, media, theatre, language, speech and book studies, is still largely unexplored in France. Based on (neuro-)psychological aesthetics and narratological controversies over the concept of voice, using theoretical considerations and audio-versions of Kafka’s The Trial and Cervantes’s Don Quijote by Buhlert, Paetsch, Cassel, Hochmair et al., the article examines how naturalization processes are involved in making the perception of audiobook versions of literary narrative texts a sensual-gestural experience of narrativity. Naturalization processes promote an anthropomorphic unison perception of the narrative voice, despite the fact that narrative voice is always polyphonic in the audio book. In the case of disruptions of automated perception through the dissonant clash of naturalized genre expectations and listening patterns, however, they also trigger the search for subjectively experienced coherence in listening, thus allowing alternative constructions of narrativity to become active in listening. This change of perception provides an aesthetic experience.
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spelling doaj-art-fff3e8b4db52417cbcf974fe4d44332a2025-01-10T14:27:35ZdeuPresses universitaires de StrasbourgRecherches Germaniques0399-19892649-860X2024-07-011923325010.4000/11v02Narrativität hörenKerstin HausbeiThe audiobook, located at the disciplinary interface of literature, media, theatre, language, speech and book studies, is still largely unexplored in France. Based on (neuro-)psychological aesthetics and narratological controversies over the concept of voice, using theoretical considerations and audio-versions of Kafka’s The Trial and Cervantes’s Don Quijote by Buhlert, Paetsch, Cassel, Hochmair et al., the article examines how naturalization processes are involved in making the perception of audiobook versions of literary narrative texts a sensual-gestural experience of narrativity. Naturalization processes promote an anthropomorphic unison perception of the narrative voice, despite the fact that narrative voice is always polyphonic in the audio book. In the case of disruptions of automated perception through the dissonant clash of naturalized genre expectations and listening patterns, however, they also trigger the search for subjectively experienced coherence in listening, thus allowing alternative constructions of narrativity to become active in listening. This change of perception provides an aesthetic experience.https://journals.openedition.org/rg/12282aestheticsnaturalizationaudiobookperceptionnarratology
spellingShingle Kerstin Hausbei
Narrativität hören
Recherches Germaniques
aesthetics
naturalization
audiobook
perception
narratology
title Narrativität hören
title_full Narrativität hören
title_fullStr Narrativität hören
title_full_unstemmed Narrativität hören
title_short Narrativität hören
title_sort narrativitat horen
topic aesthetics
naturalization
audiobook
perception
narratology
url https://journals.openedition.org/rg/12282
work_keys_str_mv AT kerstinhausbei narrativitathoren