Membra disjecta ? Réflexions sur la matérialité des coiffes divines de Mésopotamie archaïque

In the long history of the Ancient Near East, deities wore horned headgear, diadems, haircuts, helmets, tiaras with one or more rows of horns. The purpose of this paper is to study the headdresses of the first known images of Mesopotamian deities, during the pre and protodynastic periods (4th millen...

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Main Author: Catherine Breniquet
Format: Article
Language:English
Published: Anthropologie et Histoire des Mondes Antiques 2022-01-01
Series:Cahiers Mondes Anciens
Subjects:
Online Access:https://journals.openedition.org/mondesanciens/3808
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author Catherine Breniquet
author_facet Catherine Breniquet
author_sort Catherine Breniquet
collection DOAJ
description In the long history of the Ancient Near East, deities wore horned headgear, diadems, haircuts, helmets, tiaras with one or more rows of horns. The purpose of this paper is to study the headdresses of the first known images of Mesopotamian deities, during the pre and protodynastic periods (4th millennium-first half of the 3rd millennium B.C.). Through iconography, it is possible to have a concrete idea of the material aspect of the headdresses of these early deities. They formed unsual composite ensembles combining natural and manufactured elements, where an anthropomorphic mask carrying an enigmatic value is embedded. We suggest that the stela of Ninhursag from Mari could be part of them.
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spelling doaj-art-ff5a4de4236d48bbb147f8f5ccc380d52025-08-20T03:15:27ZengAnthropologie et Histoire des Mondes AntiquesCahiers Mondes Anciens2107-01992022-01-011510.4000/mondesanciens.3808Membra disjecta ? Réflexions sur la matérialité des coiffes divines de Mésopotamie archaïqueCatherine BreniquetIn the long history of the Ancient Near East, deities wore horned headgear, diadems, haircuts, helmets, tiaras with one or more rows of horns. The purpose of this paper is to study the headdresses of the first known images of Mesopotamian deities, during the pre and protodynastic periods (4th millennium-first half of the 3rd millennium B.C.). Through iconography, it is possible to have a concrete idea of the material aspect of the headdresses of these early deities. They formed unsual composite ensembles combining natural and manufactured elements, where an anthropomorphic mask carrying an enigmatic value is embedded. We suggest that the stela of Ninhursag from Mari could be part of them.https://journals.openedition.org/mondesanciens/3808MesopotamiagoddesshairdresseshornsNinhursagMari
spellingShingle Catherine Breniquet
Membra disjecta ? Réflexions sur la matérialité des coiffes divines de Mésopotamie archaïque
Cahiers Mondes Anciens
Mesopotamia
goddess
hairdresses
horns
Ninhursag
Mari
title Membra disjecta ? Réflexions sur la matérialité des coiffes divines de Mésopotamie archaïque
title_full Membra disjecta ? Réflexions sur la matérialité des coiffes divines de Mésopotamie archaïque
title_fullStr Membra disjecta ? Réflexions sur la matérialité des coiffes divines de Mésopotamie archaïque
title_full_unstemmed Membra disjecta ? Réflexions sur la matérialité des coiffes divines de Mésopotamie archaïque
title_short Membra disjecta ? Réflexions sur la matérialité des coiffes divines de Mésopotamie archaïque
title_sort membra disjecta reflexions sur la materialite des coiffes divines de mesopotamie archaique
topic Mesopotamia
goddess
hairdresses
horns
Ninhursag
Mari
url https://journals.openedition.org/mondesanciens/3808
work_keys_str_mv AT catherinebreniquet membradisjectareflexionssurlamaterialitedescoiffesdivinesdemesopotamiearchaique