On Ælfric and Old English Metrical Theory

In 2016, Thomas A. Bredehoft wrote a reply to my criticism of his theory of Old English metre, according to which Ælfric's rhythmical compositions ought to be considered verse rather than prose. Here, I provide an answer to some of the points and some of the objections raised in his 2016 essay...

Full description

Saved in:
Bibliographic Details
Main Author: Rafael
Format: Article
Language:English
Published: Ediuno. Ediciones de la Universidad de Oviedo 2025-07-01
Series:SELIM
Subjects:
Online Access:https://reunido.uniovi.es/index.php/SELIM/article/view/21515
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1849222492212690944
author Rafael
author_facet Rafael
author_sort Rafael
collection DOAJ
description In 2016, Thomas A. Bredehoft wrote a reply to my criticism of his theory of Old English metre, according to which Ælfric's rhythmical compositions ought to be considered verse rather than prose. Here, I provide an answer to some of the points and some of the objections raised in his 2016 essay. I conclude that Bredehoft's criticism of traditional Old English metrical theory is unwarranted, and that Ælfric appears to have regarded his rhythmical style as a special manner of prose composition. The piece ends in a positive note, commending Bredehoft for his work on Laȝamon's Brut and Chronicle verse.
format Article
id doaj-art-ff4f005abbb04c61858ab5c381a7f647
institution Kabale University
issn 1132-631X
2792-3878
language English
publishDate 2025-07-01
publisher Ediuno. Ediciones de la Universidad de Oviedo
record_format Article
series SELIM
spelling doaj-art-ff4f005abbb04c61858ab5c381a7f6472025-08-26T05:03:38ZengEdiuno. Ediciones de la Universidad de OviedoSELIM1132-631X2792-38782025-07-01301On Ælfric and Old English Metrical TheoryRafael0University of Oxford In 2016, Thomas A. Bredehoft wrote a reply to my criticism of his theory of Old English metre, according to which Ælfric's rhythmical compositions ought to be considered verse rather than prose. Here, I provide an answer to some of the points and some of the objections raised in his 2016 essay. I conclude that Bredehoft's criticism of traditional Old English metrical theory is unwarranted, and that Ælfric appears to have regarded his rhythmical style as a special manner of prose composition. The piece ends in a positive note, commending Bredehoft for his work on Laȝamon's Brut and Chronicle verse. https://reunido.uniovi.es/index.php/SELIM/article/view/21515ÆlfricOld English metreOld English prose
spellingShingle Rafael
On Ælfric and Old English Metrical Theory
SELIM
Ælfric
Old English metre
Old English prose
title On Ælfric and Old English Metrical Theory
title_full On Ælfric and Old English Metrical Theory
title_fullStr On Ælfric and Old English Metrical Theory
title_full_unstemmed On Ælfric and Old English Metrical Theory
title_short On Ælfric and Old English Metrical Theory
title_sort on aelfric and old english metrical theory
topic Ælfric
Old English metre
Old English prose
url https://reunido.uniovi.es/index.php/SELIM/article/view/21515
work_keys_str_mv AT rafael onælfricandoldenglishmetricaltheory