The Reader at Play in “Auggie Wren’s Christmas Story” by Paul Auster

Michel Picard, in an interdisciplinary approach using existing research in the fields of psychology and anthropology, theorized the link between the literary reader and play in his essay La Lecture comme jeu published in 1986. His hypothesis is that reading is a specific form of play and like play h...

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Main Author: Linda Collinge-Germain
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2013-12-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/6567
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author Linda Collinge-Germain
author_facet Linda Collinge-Germain
author_sort Linda Collinge-Germain
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description Michel Picard, in an interdisciplinary approach using existing research in the fields of psychology and anthropology, theorized the link between the literary reader and play in his essay La Lecture comme jeu published in 1986. His hypothesis is that reading is a specific form of play and like play has a function. Though Paul Auster, in spite of his spending several years in France, most probably had no contact with Picard’s essay, his story “Auggie Wren’s Christmas Story,” published on December 25, 1990 in The New York Times, seems, uncannily, nearly an illustration of the theory of “Reading as Play” as both in its form and its content the story problematizes the dialectics of participation and distancing inherent in the literary reading process defined by Picard.
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spelling doaj-art-ff31e5135e5142419ead933a7b55c42b2025-01-30T10:44:06ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662013-12-01210.4000/transatlantica.6567The Reader at Play in “Auggie Wren’s Christmas Story” by Paul AusterLinda Collinge-GermainMichel Picard, in an interdisciplinary approach using existing research in the fields of psychology and anthropology, theorized the link between the literary reader and play in his essay La Lecture comme jeu published in 1986. His hypothesis is that reading is a specific form of play and like play has a function. Though Paul Auster, in spite of his spending several years in France, most probably had no contact with Picard’s essay, his story “Auggie Wren’s Christmas Story,” published on December 25, 1990 in The New York Times, seems, uncannily, nearly an illustration of the theory of “Reading as Play” as both in its form and its content the story problematizes the dialectics of participation and distancing inherent in the literary reading process defined by Picard.https://journals.openedition.org/transatlantica/6567Paul Austerplay“Auggie Wren’s Christmas Story” reception theoryliterary reader
spellingShingle Linda Collinge-Germain
The Reader at Play in “Auggie Wren’s Christmas Story” by Paul Auster
Transatlantica
Paul Auster
play
“Auggie Wren’s Christmas Story
” reception theory
literary reader
title The Reader at Play in “Auggie Wren’s Christmas Story” by Paul Auster
title_full The Reader at Play in “Auggie Wren’s Christmas Story” by Paul Auster
title_fullStr The Reader at Play in “Auggie Wren’s Christmas Story” by Paul Auster
title_full_unstemmed The Reader at Play in “Auggie Wren’s Christmas Story” by Paul Auster
title_short The Reader at Play in “Auggie Wren’s Christmas Story” by Paul Auster
title_sort reader at play in auggie wren s christmas story by paul auster
topic Paul Auster
play
“Auggie Wren’s Christmas Story
” reception theory
literary reader
url https://journals.openedition.org/transatlantica/6567
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