Cándido María Trigueros’ version of the Theocritus’ Idyll XIX in the Bucolic and Anacreontic Tradition of the 18th Century La versión del idilio XIX de Teócrito de Cándido María Trigueros en la tradición bucólica y anacreóntica del XVIII
<p align="left"> </p><p>E<span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">dition and study of the </span></span><span style="font-size: xx-small;">T</span&g...
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Universidad de Salamanca
2010-06-01
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| Series: | Cuadernos Dieciochistas |
| Online Access: | http://campus.usal.es/~revistas_trabajo/index.php/1576-7914/article/view/7014 |
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| author | Jesús M.ª NIETO IBÁÑEZ |
| author_facet | Jesús M.ª NIETO IBÁÑEZ |
| author_sort | Jesús M.ª NIETO IBÁÑEZ |
| collection | DOAJ |
| description | <p align="left"> </p><p>E<span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">dition and study of the </span></span><span style="font-size: xx-small;">T</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">heocritus» </span></span><span style="font-size: xx-small;">I</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">dyll </span></span><span style="font-size: xx-small;">XIX</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">, </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">Love, the Beehive Thief</span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">, whose text was transcribed in Greek and translated to Latin and to </span></span><span style="font-size: xx-small;">S</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">panish by </span></span><span style="font-size: xx-small;">C</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">andido María </span></span><span style="font-size: xx-small;">T</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">rigueros. </span></span><span style="font-size: xx-small;">I</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">n addition to analyzing the translating <span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">technique of the author, the text is discussed in the tradition of 18</span></span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">th </span></span><span style="color: #000000; font-size: xx-small;">Century </span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">Anacreontic poetry and its relationship to other texts translated by Trigueros, such as the </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">Fugitive Love </span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">by Moschus, the Anacreontic </span></span><span style="color: #000000; font-size: xx-small;">XXXV</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">and the anonymous composition </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">To Dead Adonis</span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">.</span></span></span></span></p><br><p align="left"><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">Edición y estudio del </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">Idilio </span></span></span></em><span style="font-size: xx-small;">XIXde Teócrito </span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">El Amor, ladrón de colmenas</span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">, cuyo texto transcribe en griego y traduce al latín y al castellano Cándido María Trigueros. Además de analizar la técnica traductora del autor se inserta el texto en la tradición de las Anacreónticas en el siglo </span></span><span style="font-size: xx-small;">XVIII</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">y su relación con otros textos vertidos por </span></span><span style="font-size: xx-small;">T</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">rigueros, como el </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">Amor fugitivo </span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">de Mosco, la Anacreóntica </span></span><span style="font-size: xx-small;">XXXV</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">y la composición anónima </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">A Adonis muerto.</span></span></span></em></p> |
| format | Article |
| id | doaj-art-fedc15efbf41415cbb099099c6357bb5 |
| institution | OA Journals |
| issn | 1576-7914 |
| language | English |
| publishDate | 2010-06-01 |
| publisher | Universidad de Salamanca |
| record_format | Article |
| series | Cuadernos Dieciochistas |
| spelling | doaj-art-fedc15efbf41415cbb099099c6357bb52025-08-20T02:04:52ZengUniversidad de SalamancaCuadernos Dieciochistas1576-79142010-06-0190193210Cándido María Trigueros’ version of the Theocritus’ Idyll XIX in the Bucolic and Anacreontic Tradition of the 18th Century La versión del idilio XIX de Teócrito de Cándido María Trigueros en la tradición bucólica y anacreóntica del XVIIIJesús M.ª NIETO IBÁÑEZ<p align="left"> </p><p>E<span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">dition and study of the </span></span><span style="font-size: xx-small;">T</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">heocritus» </span></span><span style="font-size: xx-small;">I</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">dyll </span></span><span style="font-size: xx-small;">XIX</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">, </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">Love, the Beehive Thief</span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">, whose text was transcribed in Greek and translated to Latin and to </span></span><span style="font-size: xx-small;">S</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">panish by </span></span><span style="font-size: xx-small;">C</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">andido María </span></span><span style="font-size: xx-small;">T</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">rigueros. </span></span><span style="font-size: xx-small;">I</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">n addition to analyzing the translating <span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">technique of the author, the text is discussed in the tradition of 18</span></span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">th </span></span><span style="color: #000000; font-size: xx-small;">Century </span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">Anacreontic poetry and its relationship to other texts translated by Trigueros, such as the </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">Fugitive Love </span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">by Moschus, the Anacreontic </span></span><span style="color: #000000; font-size: xx-small;">XXXV</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">and the anonymous composition </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">To Dead Adonis</span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">.</span></span></span></span></p><br><p align="left"><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">Edición y estudio del </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">Idilio </span></span></span></em><span style="font-size: xx-small;">XIXde Teócrito </span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">El Amor, ladrón de colmenas</span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">, cuyo texto transcribe en griego y traduce al latín y al castellano Cándido María Trigueros. Además de analizar la técnica traductora del autor se inserta el texto en la tradición de las Anacreónticas en el siglo </span></span><span style="font-size: xx-small;">XVIII</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">y su relación con otros textos vertidos por </span></span><span style="font-size: xx-small;">T</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">rigueros, como el </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">Amor fugitivo </span></span></span></em><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">de Mosco, la Anacreóntica </span></span><span style="font-size: xx-small;">XXXV</span><span style="color: #221e1f; font-size: xx-small;"><span style="color: #221e1f; font-size: xx-small;">y la composición anónima </span></span><em><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;"><span style="font-family: Garamond,Garamond; color: #221e1f; font-size: xx-small;">A Adonis muerto.</span></span></span></em></p>http://campus.usal.es/~revistas_trabajo/index.php/1576-7914/article/view/7014 |
| spellingShingle | Jesús M.ª NIETO IBÁÑEZ Cándido María Trigueros’ version of the Theocritus’ Idyll XIX in the Bucolic and Anacreontic Tradition of the 18th Century La versión del idilio XIX de Teócrito de Cándido María Trigueros en la tradición bucólica y anacreóntica del XVIII Cuadernos Dieciochistas |
| title | Cándido María Trigueros’ version of the Theocritus’ Idyll XIX in the Bucolic and Anacreontic Tradition of the 18th Century La versión del idilio XIX de Teócrito de Cándido María Trigueros en la tradición bucólica y anacreóntica del XVIII |
| title_full | Cándido María Trigueros’ version of the Theocritus’ Idyll XIX in the Bucolic and Anacreontic Tradition of the 18th Century La versión del idilio XIX de Teócrito de Cándido María Trigueros en la tradición bucólica y anacreóntica del XVIII |
| title_fullStr | Cándido María Trigueros’ version of the Theocritus’ Idyll XIX in the Bucolic and Anacreontic Tradition of the 18th Century La versión del idilio XIX de Teócrito de Cándido María Trigueros en la tradición bucólica y anacreóntica del XVIII |
| title_full_unstemmed | Cándido María Trigueros’ version of the Theocritus’ Idyll XIX in the Bucolic and Anacreontic Tradition of the 18th Century La versión del idilio XIX de Teócrito de Cándido María Trigueros en la tradición bucólica y anacreóntica del XVIII |
| title_short | Cándido María Trigueros’ version of the Theocritus’ Idyll XIX in the Bucolic and Anacreontic Tradition of the 18th Century La versión del idilio XIX de Teócrito de Cándido María Trigueros en la tradición bucólica y anacreóntica del XVIII |
| title_sort | candido maria trigueros version of the theocritus idyll xix in the bucolic and anacreontic tradition of the 18th century la version del idilio xix de teocrito de candido maria trigueros en la tradicion bucolica y anacreontica del xviii |
| url | http://campus.usal.es/~revistas_trabajo/index.php/1576-7914/article/view/7014 |
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