Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography

This is a hybrid work of creative scholarship: a lyrical essay that blends personal history with literary criticism. In it, I question my apprenticeship with Duncan when I was a young twenty-something, as I was struggling to understand what it might mean to be a “good gay poet.” In 1987, I traveled...

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Main Author: Rob Halpern
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2020-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/10777
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author Rob Halpern
author_facet Rob Halpern
author_sort Rob Halpern
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description This is a hybrid work of creative scholarship: a lyrical essay that blends personal history with literary criticism. In it, I question my apprenticeship with Duncan when I was a young twenty-something, as I was struggling to understand what it might mean to be a “good gay poet.” In 1987, I traveled with a copy of Duncan’s The Opening of the Field, and while I could not fully comprehend the poems, the book nevertheless offered me a model – for better and for worse – for sublimating my sexuality during the worst years of the AIDS crisis. Now, thirty-two years later, I return to Duncan’s first “mature” work in an effort to better understand both the book and myself.
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spelling doaj-art-fece131e564947d493c118166dde53342025-01-30T13:47:28ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022020-12-012910.4000/sillagescritiques.10777Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential AutobiographyRob HalpernThis is a hybrid work of creative scholarship: a lyrical essay that blends personal history with literary criticism. In it, I question my apprenticeship with Duncan when I was a young twenty-something, as I was struggling to understand what it might mean to be a “good gay poet.” In 1987, I traveled with a copy of Duncan’s The Opening of the Field, and while I could not fully comprehend the poems, the book nevertheless offered me a model – for better and for worse – for sublimating my sexuality during the worst years of the AIDS crisis. Now, thirty-two years later, I return to Duncan’s first “mature” work in an effort to better understand both the book and myself.https://journals.openedition.org/sillagescritiques/10777sublimationRobert DuncanNew NarrativeRobert GlückFrank O’HaraBruce Boone
spellingShingle Rob Halpern
Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography
Sillages Critiques
sublimation
Robert Duncan
New Narrative
Robert Glück
Frank O’Hara
Bruce Boone
title Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography
title_full Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography
title_fullStr Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography
title_full_unstemmed Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography
title_short Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography
title_sort coda the queen under the hill or robert duncan s lesson in essential autobiography
topic sublimation
Robert Duncan
New Narrative
Robert Glück
Frank O’Hara
Bruce Boone
url https://journals.openedition.org/sillagescritiques/10777
work_keys_str_mv AT robhalpern codathequeenunderthehillorrobertduncanslessoninessentialautobiography