Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography
This is a hybrid work of creative scholarship: a lyrical essay that blends personal history with literary criticism. In it, I question my apprenticeship with Duncan when I was a young twenty-something, as I was struggling to understand what it might mean to be a “good gay poet.” In 1987, I traveled...
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Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2020-12-01
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Series: | Sillages Critiques |
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Online Access: | https://journals.openedition.org/sillagescritiques/10777 |
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author | Rob Halpern |
author_facet | Rob Halpern |
author_sort | Rob Halpern |
collection | DOAJ |
description | This is a hybrid work of creative scholarship: a lyrical essay that blends personal history with literary criticism. In it, I question my apprenticeship with Duncan when I was a young twenty-something, as I was struggling to understand what it might mean to be a “good gay poet.” In 1987, I traveled with a copy of Duncan’s The Opening of the Field, and while I could not fully comprehend the poems, the book nevertheless offered me a model – for better and for worse – for sublimating my sexuality during the worst years of the AIDS crisis. Now, thirty-two years later, I return to Duncan’s first “mature” work in an effort to better understand both the book and myself. |
format | Article |
id | doaj-art-fece131e564947d493c118166dde5334 |
institution | Kabale University |
issn | 1272-3819 1969-6302 |
language | English |
publishDate | 2020-12-01 |
publisher | Centre de Recherche "Texte et Critique de Texte" |
record_format | Article |
series | Sillages Critiques |
spelling | doaj-art-fece131e564947d493c118166dde53342025-01-30T13:47:28ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022020-12-012910.4000/sillagescritiques.10777Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential AutobiographyRob HalpernThis is a hybrid work of creative scholarship: a lyrical essay that blends personal history with literary criticism. In it, I question my apprenticeship with Duncan when I was a young twenty-something, as I was struggling to understand what it might mean to be a “good gay poet.” In 1987, I traveled with a copy of Duncan’s The Opening of the Field, and while I could not fully comprehend the poems, the book nevertheless offered me a model – for better and for worse – for sublimating my sexuality during the worst years of the AIDS crisis. Now, thirty-two years later, I return to Duncan’s first “mature” work in an effort to better understand both the book and myself.https://journals.openedition.org/sillagescritiques/10777sublimationRobert DuncanNew NarrativeRobert GlückFrank O’HaraBruce Boone |
spellingShingle | Rob Halpern Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography Sillages Critiques sublimation Robert Duncan New Narrative Robert Glück Frank O’Hara Bruce Boone |
title | Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography |
title_full | Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography |
title_fullStr | Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography |
title_full_unstemmed | Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography |
title_short | Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography |
title_sort | coda the queen under the hill or robert duncan s lesson in essential autobiography |
topic | sublimation Robert Duncan New Narrative Robert Glück Frank O’Hara Bruce Boone |
url | https://journals.openedition.org/sillagescritiques/10777 |
work_keys_str_mv | AT robhalpern codathequeenunderthehillorrobertduncanslessoninessentialautobiography |