Los límites de la interpretación política del espectáculo barroco: Maravall en su contexto
This article traces the evolution José Antonio Maravall’s thought from his times as a propagandist of the Falange to his The Culture of the Baroque. There is a clear continuity of thought in his general idea of “directed freedom,” a notion related to Fascism, and how this permeates his vision of the...
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| Format: | Article |
| Language: | Spanish |
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Casa de Velázquez
2025-05-01
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| Series: | Mélanges de la Casa de Velázquez |
| Subjects: | |
| Online Access: | https://journals.openedition.org/mcv/24351 |
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| Summary: | This article traces the evolution José Antonio Maravall’s thought from his times as a propagandist of the Falange to his The Culture of the Baroque. There is a clear continuity of thought in his general idea of “directed freedom,” a notion related to Fascism, and how this permeates his vision of theatre. It analyses in detail a pamphlet, attributable to Manuel Fraga Iribarne, in which it is detailed how Maravall uses his works to obtain economic returns. In Maravall’s corpus there is much to be nuanced. |
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| ISSN: | 0076-230X 2173-1306 |