Chevolución, Chesucristo: historia de un ícono en dos clichés

This paper proposes two approaches in the iconographic study of Che Guevara. The construction of his iconography and the uses of his memory. The stereotypical image of Che Guevara has two faces: the heroic Marxist warrior and the Christian martyr. The portrait Heroic warrior by Alberto Korda and the...

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Main Author: Verushka Alvizuri
Format: Article
Language:Spanish
Published: Presses universitaires du Midi 2012-06-01
Series:Caravelle
Subjects:
Online Access:https://journals.openedition.org/caravelle/1202
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author Verushka Alvizuri
author_facet Verushka Alvizuri
author_sort Verushka Alvizuri
collection DOAJ
description This paper proposes two approaches in the iconographic study of Che Guevara. The construction of his iconography and the uses of his memory. The stereotypical image of Che Guevara has two faces: the heroic Marxist warrior and the Christian martyr. The portrait Heroic warrior by Alberto Korda and the pictures of the corpse, by Freddy Alborta were realized in exceptional circumstances which are described by this article using an approach of cultural photographic history. The promotion and/or censure of these images shows several uses of Che memory, as symbol of Cuban revolution, of Liberation Church and souvenir of political tourism in Bolivia.
format Article
id doaj-art-fc1660f542104b67816e19c418e1b98c
institution Kabale University
issn 1147-6753
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publishDate 2012-06-01
publisher Presses universitaires du Midi
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spelling doaj-art-fc1660f542104b67816e19c418e1b98c2025-01-09T16:15:21ZspaPresses universitaires du MidiCaravelle1147-67532272-98282012-06-019813514810.4000/caravelle.1202Chevolución, Chesucristo: historia de un ícono en dos clichésVerushka AlvizuriThis paper proposes two approaches in the iconographic study of Che Guevara. The construction of his iconography and the uses of his memory. The stereotypical image of Che Guevara has two faces: the heroic Marxist warrior and the Christian martyr. The portrait Heroic warrior by Alberto Korda and the pictures of the corpse, by Freddy Alborta were realized in exceptional circumstances which are described by this article using an approach of cultural photographic history. The promotion and/or censure of these images shows several uses of Che memory, as symbol of Cuban revolution, of Liberation Church and souvenir of political tourism in Bolivia.https://journals.openedition.org/caravelle/1202photographyChe Guevarapolitical propagandaguerrillaliberation theology
spellingShingle Verushka Alvizuri
Chevolución, Chesucristo: historia de un ícono en dos clichés
Caravelle
photography
Che Guevara
political propaganda
guerrilla
liberation theology
title Chevolución, Chesucristo: historia de un ícono en dos clichés
title_full Chevolución, Chesucristo: historia de un ícono en dos clichés
title_fullStr Chevolución, Chesucristo: historia de un ícono en dos clichés
title_full_unstemmed Chevolución, Chesucristo: historia de un ícono en dos clichés
title_short Chevolución, Chesucristo: historia de un ícono en dos clichés
title_sort chevolucion chesucristo historia de un icono en dos cliches
topic photography
Che Guevara
political propaganda
guerrilla
liberation theology
url https://journals.openedition.org/caravelle/1202
work_keys_str_mv AT verushkaalvizuri chevolucionchesucristohistoriadeuniconoendoscliches