Chevolución, Chesucristo: historia de un ícono en dos clichés
This paper proposes two approaches in the iconographic study of Che Guevara. The construction of his iconography and the uses of his memory. The stereotypical image of Che Guevara has two faces: the heroic Marxist warrior and the Christian martyr. The portrait Heroic warrior by Alberto Korda and the...
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Format: | Article |
Language: | Spanish |
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Presses universitaires du Midi
2012-06-01
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Series: | Caravelle |
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Online Access: | https://journals.openedition.org/caravelle/1202 |
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author | Verushka Alvizuri |
author_facet | Verushka Alvizuri |
author_sort | Verushka Alvizuri |
collection | DOAJ |
description | This paper proposes two approaches in the iconographic study of Che Guevara. The construction of his iconography and the uses of his memory. The stereotypical image of Che Guevara has two faces: the heroic Marxist warrior and the Christian martyr. The portrait Heroic warrior by Alberto Korda and the pictures of the corpse, by Freddy Alborta were realized in exceptional circumstances which are described by this article using an approach of cultural photographic history. The promotion and/or censure of these images shows several uses of Che memory, as symbol of Cuban revolution, of Liberation Church and souvenir of political tourism in Bolivia. |
format | Article |
id | doaj-art-fc1660f542104b67816e19c418e1b98c |
institution | Kabale University |
issn | 1147-6753 2272-9828 |
language | Spanish |
publishDate | 2012-06-01 |
publisher | Presses universitaires du Midi |
record_format | Article |
series | Caravelle |
spelling | doaj-art-fc1660f542104b67816e19c418e1b98c2025-01-09T16:15:21ZspaPresses universitaires du MidiCaravelle1147-67532272-98282012-06-019813514810.4000/caravelle.1202Chevolución, Chesucristo: historia de un ícono en dos clichésVerushka AlvizuriThis paper proposes two approaches in the iconographic study of Che Guevara. The construction of his iconography and the uses of his memory. The stereotypical image of Che Guevara has two faces: the heroic Marxist warrior and the Christian martyr. The portrait Heroic warrior by Alberto Korda and the pictures of the corpse, by Freddy Alborta were realized in exceptional circumstances which are described by this article using an approach of cultural photographic history. The promotion and/or censure of these images shows several uses of Che memory, as symbol of Cuban revolution, of Liberation Church and souvenir of political tourism in Bolivia.https://journals.openedition.org/caravelle/1202photographyChe Guevarapolitical propagandaguerrillaliberation theology |
spellingShingle | Verushka Alvizuri Chevolución, Chesucristo: historia de un ícono en dos clichés Caravelle photography Che Guevara political propaganda guerrilla liberation theology |
title | Chevolución, Chesucristo: historia de un ícono en dos clichés |
title_full | Chevolución, Chesucristo: historia de un ícono en dos clichés |
title_fullStr | Chevolución, Chesucristo: historia de un ícono en dos clichés |
title_full_unstemmed | Chevolución, Chesucristo: historia de un ícono en dos clichés |
title_short | Chevolución, Chesucristo: historia de un ícono en dos clichés |
title_sort | chevolucion chesucristo historia de un icono en dos cliches |
topic | photography Che Guevara political propaganda guerrilla liberation theology |
url | https://journals.openedition.org/caravelle/1202 |
work_keys_str_mv | AT verushkaalvizuri chevolucionchesucristohistoriadeuniconoendoscliches |