Occidente, canon y literatura hispanoamericana
This article proposes the following idea: that, with what is known as the «boom», the Spanish American literature entirely joined modernity (at least, in the case of modern publishing industry’s devices) and also became a member of western canon. The first consequence was the recognition that behind...
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| Format: | Article |
| Language: | Spanish |
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Presses universitaires du Midi
2013-06-01
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| Series: | Caravelle |
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| Online Access: | https://journals.openedition.org/caravelle/134 |
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| _version_ | 1841551445880471552 |
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| author | Dante Liano |
| author_facet | Dante Liano |
| author_sort | Dante Liano |
| collection | DOAJ |
| description | This article proposes the following idea: that, with what is known as the «boom», the Spanish American literature entirely joined modernity (at least, in the case of modern publishing industry’s devices) and also became a member of western canon. The first consequence was the recognition that behind the «boom» writers there was a solid tradition whose authors had created an important literature. The second one, was that such a tradition continued thanks to those authors who followed García Márquez and Co.: beginning with Cabrera Infante, then Puig and also Roberto Bolaño. The article ends with the guesswork that there are three canons for Latin American litterature, which don’t necesarily coincide: the Spanish canon, the North American academic one, the internal canon. |
| format | Article |
| id | doaj-art-fbb585f6ca2f4d109be439ea830f53fb |
| institution | Kabale University |
| issn | 1147-6753 2272-9828 |
| language | Spanish |
| publishDate | 2013-06-01 |
| publisher | Presses universitaires du Midi |
| record_format | Article |
| series | Caravelle |
| spelling | doaj-art-fbb585f6ca2f4d109be439ea830f53fb2025-01-09T16:14:23ZspaPresses universitaires du MidiCaravelle1147-67532272-98282013-06-01100819910.4000/caravelle.134Occidente, canon y literatura hispanoamericanaDante LianoThis article proposes the following idea: that, with what is known as the «boom», the Spanish American literature entirely joined modernity (at least, in the case of modern publishing industry’s devices) and also became a member of western canon. The first consequence was the recognition that behind the «boom» writers there was a solid tradition whose authors had created an important literature. The second one, was that such a tradition continued thanks to those authors who followed García Márquez and Co.: beginning with Cabrera Infante, then Puig and also Roberto Bolaño. The article ends with the guesswork that there are three canons for Latin American litterature, which don’t necesarily coincide: the Spanish canon, the North American academic one, the internal canon.https://journals.openedition.org/caravelle/134LiteratureCanonThe WestModernitySpanish AmericanBoom |
| spellingShingle | Dante Liano Occidente, canon y literatura hispanoamericana Caravelle Literature Canon The West Modernity Spanish American Boom |
| title | Occidente, canon y literatura hispanoamericana |
| title_full | Occidente, canon y literatura hispanoamericana |
| title_fullStr | Occidente, canon y literatura hispanoamericana |
| title_full_unstemmed | Occidente, canon y literatura hispanoamericana |
| title_short | Occidente, canon y literatura hispanoamericana |
| title_sort | occidente canon y literatura hispanoamericana |
| topic | Literature Canon The West Modernity Spanish American Boom |
| url | https://journals.openedition.org/caravelle/134 |
| work_keys_str_mv | AT danteliano occidentecanonyliteraturahispanoamericana |