Due Madonne e qualche appunto per Felipe Pablo de San Leocadio

: Felipe Pablo de San Leocadio has not enjoyed the same critical attention as his father, the more well-known Paolo da San Leocadio. While awaiting a monographic study on the former, this article proposes new reflections on his output thanks to the emergence on the market of two previously-unseen...

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Main Author: Orazio Lovino
Format: Article
Language:deu
Published: Museo Nacional del Prado 2022-11-01
Series:Boletín del Museo del Prado
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Online Access:https://www.museodelprado.es/aprende/boletin/due-madonne-e-qualche-appunto-per-felipe-pablo-de/de1ede92-7e51-232c-acd1-8e6c4a63a55c
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author Orazio Lovino
author_facet Orazio Lovino
author_sort Orazio Lovino
collection DOAJ
description : Felipe Pablo de San Leocadio has not enjoyed the same critical attention as his father, the more well-known Paolo da San Leocadio. While awaiting a monographic study on the former, this article proposes new reflections on his output thanks to the emergence on the market of two previously-unseen panels, attributed here to Felipe Pablo. The article also takes into consideration other paintings by the Valencian painter, such as the Adoration of the Shepherds in the Prado, for which a new chronology is suggested and some comparisons are proposed with works by “Fernandi” Llanos and Yáñez—artists who exerted a profound influence on Felipe Pablo’s painting.
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series Boletín del Museo del Prado
spelling doaj-art-fa4a9e33b96646a39a15b394e76a77df2025-08-20T02:42:35ZdeuMuseo Nacional del PradoBoletín del Museo del Prado0210-81432952-06302022-11-01582022146150Due Madonne e qualche appunto per Felipe Pablo de San LeocadioOrazio Lovino0https://orcid.org/0000-0001-8850-0015Università de Pisa: Felipe Pablo de San Leocadio has not enjoyed the same critical attention as his father, the more well-known Paolo da San Leocadio. While awaiting a monographic study on the former, this article proposes new reflections on his output thanks to the emergence on the market of two previously-unseen panels, attributed here to Felipe Pablo. The article also takes into consideration other paintings by the Valencian painter, such as the Adoration of the Shepherds in the Prado, for which a new chronology is suggested and some comparisons are proposed with works by “Fernandi” Llanos and Yáñez—artists who exerted a profound influence on Felipe Pablo’s painting.https://www.museodelprado.es/aprende/boletin/due-madonne-e-qualche-appunto-per-felipe-pablo-de/de1ede92-7e51-232c-acd1-8e6c4a63a55cvalencian renaissancesixteenth centuryfelipe pablo de san leocadiofernando llanosfernando yáñezpaolo da san leocadioretablo
spellingShingle Orazio Lovino
Due Madonne e qualche appunto per Felipe Pablo de San Leocadio
Boletín del Museo del Prado
valencian renaissance
sixteenth century
felipe pablo de san leocadio
fernando llanos
fernando yáñez
paolo da san leocadio
retablo
title Due Madonne e qualche appunto per Felipe Pablo de San Leocadio
title_full Due Madonne e qualche appunto per Felipe Pablo de San Leocadio
title_fullStr Due Madonne e qualche appunto per Felipe Pablo de San Leocadio
title_full_unstemmed Due Madonne e qualche appunto per Felipe Pablo de San Leocadio
title_short Due Madonne e qualche appunto per Felipe Pablo de San Leocadio
title_sort due madonne e qualche appunto per felipe pablo de san leocadio
topic valencian renaissance
sixteenth century
felipe pablo de san leocadio
fernando llanos
fernando yáñez
paolo da san leocadio
retablo
url https://www.museodelprado.es/aprende/boletin/due-madonne-e-qualche-appunto-per-felipe-pablo-de/de1ede92-7e51-232c-acd1-8e6c4a63a55c
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