Liebestod im Minnesang Heinrichs von Morungen
‘LIEBESTOD’ IN THE LYRIC CORPUS OF HEINRICH VON MORUNGEN. This essay explores variations of the motif of the ‘Liebestod’ in the lyric corpus of Heinrich von Morungen, seen against the general background of the genre. The constellation of relationships, the absolute surrender despite the isolation o...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Ledizioni
2024-09-01
|
| Series: | Filologia Germanica |
| Online Access: | https://www.ledijournals.com/ojs/index.php/filologiagermanica/article/view/2620 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1849431158671015936 |
|---|---|
| author | Christoph Huber |
| author_facet | Christoph Huber |
| author_sort | Christoph Huber |
| collection | DOAJ |
| description |
‘LIEBESTOD’ IN THE LYRIC CORPUS OF HEINRICH VON MORUNGEN. This essay explores variations of the motif of the ‘Liebestod’ in the lyric corpus of Heinrich von Morungen, seen against the general background of the genre. The constellation of relationships, the absolute surrender despite the isolation of the lovers, serves to accentuate the classical paradoxe amoureux (Lieder XIX/XX; XVII); it directs the audience’s attention towards a literary life after death (Lieder VIII; XXII) and creates a conflict between love and Christian beliefs (Lieder VII; XXII; XXXIV). In the tradition of the classical Latin literature, and in contrast to the romantic ‘Liebestod’ of the 19th century, here every attempt at a harmonic resolution is rejected.
|
| format | Article |
| id | doaj-art-f96d13ef02eb48febfbcac85b95d5cd3 |
| institution | Kabale University |
| issn | 2036-8992 |
| language | deu |
| publishDate | 2024-09-01 |
| publisher | Ledizioni |
| record_format | Article |
| series | Filologia Germanica |
| spelling | doaj-art-f96d13ef02eb48febfbcac85b95d5cd32025-08-20T03:27:43ZdeuLedizioniFilologia Germanica2036-89922024-09-01310.14672/fg.v3i.2620Liebestod im Minnesang Heinrichs von MorungenChristoph Huber0Professor für Deutsche Philologie des Mittelalters (pensioniert), Eberhard Karls Universität Tübingen ‘LIEBESTOD’ IN THE LYRIC CORPUS OF HEINRICH VON MORUNGEN. This essay explores variations of the motif of the ‘Liebestod’ in the lyric corpus of Heinrich von Morungen, seen against the general background of the genre. The constellation of relationships, the absolute surrender despite the isolation of the lovers, serves to accentuate the classical paradoxe amoureux (Lieder XIX/XX; XVII); it directs the audience’s attention towards a literary life after death (Lieder VIII; XXII) and creates a conflict between love and Christian beliefs (Lieder VII; XXII; XXXIV). In the tradition of the classical Latin literature, and in contrast to the romantic ‘Liebestod’ of the 19th century, here every attempt at a harmonic resolution is rejected. https://www.ledijournals.com/ojs/index.php/filologiagermanica/article/view/2620 |
| spellingShingle | Christoph Huber Liebestod im Minnesang Heinrichs von Morungen Filologia Germanica |
| title | Liebestod im Minnesang Heinrichs von Morungen |
| title_full | Liebestod im Minnesang Heinrichs von Morungen |
| title_fullStr | Liebestod im Minnesang Heinrichs von Morungen |
| title_full_unstemmed | Liebestod im Minnesang Heinrichs von Morungen |
| title_short | Liebestod im Minnesang Heinrichs von Morungen |
| title_sort | liebestod im minnesang heinrichs von morungen |
| url | https://www.ledijournals.com/ojs/index.php/filologiagermanica/article/view/2620 |
| work_keys_str_mv | AT christophhuber liebestodimminnesangheinrichsvonmorungen |