Velours rouge et piquets de grève : la grève du music-hall à Londres en 1907

Debate continues about the relationship of music hall culture to the working class. Some emphasize the working class themes of the songs, and the working class origins of the stars. Others consider the role of music hall to be that of a « culture of consolation » perhaps even imposed on workers from...

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Main Author: John Mullen
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2008-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/8561
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author John Mullen
author_facet John Mullen
author_sort John Mullen
collection DOAJ
description Debate continues about the relationship of music hall culture to the working class. Some emphasize the working class themes of the songs, and the working class origins of the stars. Others consider the role of music hall to be that of a « culture of consolation » perhaps even imposed on workers from above. Writings on the music hall strike in London in 1907 have usually been limited to biographical anecdotes on the role of the stars in the dispute. Our article aims at using the reporting on the strike to examine the situation « behind the scenes » among this rather special group of wage-workers—working conditions and methods of organizing. In particular we will see how the strike contained most of the elements of a classic struggle between workers and their employers, and was treated as such by both sides in the conflict.
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publisher Presses Universitaires de la Méditerranée
record_format Article
series Cahiers Victoriens et Edouardiens
spelling doaj-art-f80b5ebe499c4653a7ec6b1bb65ada412025-01-30T10:20:48ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492008-12-016710.4000/cve.8561Velours rouge et piquets de grève : la grève du music-hall à Londres en 1907John MullenDebate continues about the relationship of music hall culture to the working class. Some emphasize the working class themes of the songs, and the working class origins of the stars. Others consider the role of music hall to be that of a « culture of consolation » perhaps even imposed on workers from above. Writings on the music hall strike in London in 1907 have usually been limited to biographical anecdotes on the role of the stars in the dispute. Our article aims at using the reporting on the strike to examine the situation « behind the scenes » among this rather special group of wage-workers—working conditions and methods of organizing. In particular we will see how the strike contained most of the elements of a classic struggle between workers and their employers, and was treated as such by both sides in the conflict.https://journals.openedition.org/cve/8561
spellingShingle John Mullen
Velours rouge et piquets de grève : la grève du music-hall à Londres en 1907
Cahiers Victoriens et Edouardiens
title Velours rouge et piquets de grève : la grève du music-hall à Londres en 1907
title_full Velours rouge et piquets de grève : la grève du music-hall à Londres en 1907
title_fullStr Velours rouge et piquets de grève : la grève du music-hall à Londres en 1907
title_full_unstemmed Velours rouge et piquets de grève : la grève du music-hall à Londres en 1907
title_short Velours rouge et piquets de grève : la grève du music-hall à Londres en 1907
title_sort velours rouge et piquets de greve la greve du music hall a londres en 1907
url https://journals.openedition.org/cve/8561
work_keys_str_mv AT johnmullen veloursrougeetpiquetsdegrevelagrevedumusichallalondresen1907