„Kompozycje przestrzenne Katarzyny Kobro”. Historia produkcyjna filmu Józefa Robakowskiego

The author reconstructs the production history of the documentary film Kompozycje przestrzenne Katarzyny Kobro [Spatial Compositions of Katarzy­na Kobro], directed by Józef Robakowski (1971), analyzing its place within the activities of the Se-ma-for studio. Drawing on archival materials and intervi...

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Main Author: Anna Krakowiak
Format: Article
Language:English
Published: Wydawnictwo Uniwersytetu Wrocławskiego 2025-04-01
Series:Studia Filmoznawcze
Subjects:
Online Access:https://wuwr.pl/sf/article/view/17990
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author Anna Krakowiak
author_facet Anna Krakowiak
author_sort Anna Krakowiak
collection DOAJ
description The author reconstructs the production history of the documentary film Kompozycje przestrzenne Katarzyny Kobro [Spatial Compositions of Katarzy­na Kobro], directed by Józef Robakowski (1971), analyzing its place within the activities of the Se-ma-for studio. Drawing on archival materials and interviews, she examines the filmmaking process, its avant-garde form, as well as production challenges and the vicissitudes of the approval process. Departing from conventional art documentaries, the film received mixed reviews—praised for its innovativeness yet criticized for its hermetic nature. Despite the controversies, it was ultimately distributed and won the audience award at the Zakopane Art Film Review. The article contributes to a broader reflection on the mechanisms of documentary film evaluation in the Polish People’s Republic and the role of the avant-garde within the institutional film production system.
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publishDate 2025-04-01
publisher Wydawnictwo Uniwersytetu Wrocławskiego
record_format Article
series Studia Filmoznawcze
spelling doaj-art-f60e35afbd6c4abcaa71fb88d235e7082025-08-20T02:19:34ZengWydawnictwo Uniwersytetu WrocławskiegoStudia Filmoznawcze0860-116X2957-23982025-04-014717919710.19195/0860-116X.47.919760„Kompozycje przestrzenne Katarzyny Kobro”. Historia produkcyjna filmu Józefa RobakowskiegoAnna Krakowiakhttps://orcid.org/0000-0002-8071-5326The author reconstructs the production history of the documentary film Kompozycje przestrzenne Katarzyny Kobro [Spatial Compositions of Katarzy­na Kobro], directed by Józef Robakowski (1971), analyzing its place within the activities of the Se-ma-for studio. Drawing on archival materials and interviews, she examines the filmmaking process, its avant-garde form, as well as production challenges and the vicissitudes of the approval process. Departing from conventional art documentaries, the film received mixed reviews—praised for its innovativeness yet criticized for its hermetic nature. Despite the controversies, it was ultimately distributed and won the audience award at the Zakopane Art Film Review. The article contributes to a broader reflection on the mechanisms of documentary film evaluation in the Polish People’s Republic and the role of the avant-garde within the institutional film production system.https://wuwr.pl/sf/article/view/17990avant-garde cinemadocumentary filmkatarzyna kobrojózef robakowskifilm production studies
spellingShingle Anna Krakowiak
„Kompozycje przestrzenne Katarzyny Kobro”. Historia produkcyjna filmu Józefa Robakowskiego
Studia Filmoznawcze
avant-garde cinema
documentary film
katarzyna kobro
józef robakowski
film production studies
title „Kompozycje przestrzenne Katarzyny Kobro”. Historia produkcyjna filmu Józefa Robakowskiego
title_full „Kompozycje przestrzenne Katarzyny Kobro”. Historia produkcyjna filmu Józefa Robakowskiego
title_fullStr „Kompozycje przestrzenne Katarzyny Kobro”. Historia produkcyjna filmu Józefa Robakowskiego
title_full_unstemmed „Kompozycje przestrzenne Katarzyny Kobro”. Historia produkcyjna filmu Józefa Robakowskiego
title_short „Kompozycje przestrzenne Katarzyny Kobro”. Historia produkcyjna filmu Józefa Robakowskiego
title_sort kompozycje przestrzenne katarzyny kobro historia produkcyjna filmu jozefa robakowskiego
topic avant-garde cinema
documentary film
katarzyna kobro
józef robakowski
film production studies
url https://wuwr.pl/sf/article/view/17990
work_keys_str_mv AT annakrakowiak kompozycjeprzestrzennekatarzynykobrohistoriaprodukcyjnafilmujozefarobakowskiego