Peter H. Smith, Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet, Bloomington: Indiana University Press 2005
Saved in:
Main Author: | Knud Breyer |
---|---|
Format: | Article |
Language: | deu |
Published: |
Gesellschaft für Musiktheorie (GMTH)
2009-01-01
|
Series: | Zeitschrift der Gesellschaft für Musiktheorie |
Online Access: | https://storage.gmth.de/zgmth/pdf/425 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Gasché, Rodolphe. Persuasion, Reflection, Judgment. Ancillae Vitae. Bloomington: Indiana University Press, 2017. 258 pp.
by: Miriam Jerade
Published: (2018-01-01) -
Toyin Falola and Akintunde Akinyemi (Eds). Encyclopedia of the Yoruba. Bloomington and Indianapolis: Indiana University Press, 2016. 371pp.
by: Ibrahim A. Odugbemi
Published: (2021-12-01) -
Musik, Körper und Zeichentheorie - Notizen zu Naomi Cumming, The Sonic Self. Musical Subjectivity and Signification, Bloomington and Indianapolis: Indiana University Press 2000
by: Janina Klassen
Published: (2005-04-01) -
Historische Schichten miteinander »verflözt«. Die Übersendung der Klavierstücke opp. 116–119 als passendes Gegengeschenk für Philipp Spittas Aufsatz »Über Brahms«
by: Knud Breyer
Published: (2009-01-01) -
Gander, Hans-Helmuth. Self-UnderstandingandLifeworld. Basic Traits of a Phenomenological Hermeneutics. Trans. Ryan Drake and Joshua Rayman. Bloomington: Indiana University Press, 2017. 415 pp.
by: CARLOS ARTURO BEDOYA RODAS
Published: (2020-01-01)