Women Artists of the Hungarian Avant-Garde and Their Connections to the Cobra Group
One of the most fascinating examples of networked art groups in 20th century art history, the Cobra art movement (1948‒1951), disrupted the logic of center-periphery relations in art through a model of cooperation between artistic hubs, in this case, Copenhagen, Brussels and Amsterdam, as the name o...
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| Main Author: | |
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| Format: | Article |
| Language: | English |
| Published: |
Sciendo
2024-11-01
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| Series: | Hungarian Studies Yearbook |
| Subjects: | |
| Online Access: | https://doi.org/10.2478/hsy-2024-0007 |
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