Ethnographie d’un film commémoratif
In 2009 a French cultural institution, owing an audiovisual archives, celebrated its fortieth anniversary. Two ethnologists were thus made responsible for producing an exhibition in less than six months. This finally resulted in a 20-minute film. Looking at the technical and ethical issues that have...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
Conserveries Mémorielles
2014-09-01
|
| Series: | Conserveries Mémorielles |
| Subjects: | |
| Online Access: | https://journals.openedition.org/cm/1935 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832096175957737472 |
|---|---|
| author | Isabelle Becuywe |
| author_facet | Isabelle Becuywe |
| author_sort | Isabelle Becuywe |
| collection | DOAJ |
| description | In 2009 a French cultural institution, owing an audiovisual archives, celebrated its fortieth anniversary. Two ethnologists were thus made responsible for producing an exhibition in less than six months. This finally resulted in a 20-minute film. Looking at the technical and ethical issues that have emerged throughout the making of the film, this paper presents the different steps and problems we faced. It also analyses this achievement regarding its display conditions and its reception by the public. Two issues are particularly addressed. Firstly: what is the historicity of such a film? what does its temporality involve? Secondly: what does the exhibition production process does reveal of forty years of film archiving?In the 2003 UNESCO Convention defined “immaterial heritage”. I work in anthropology on storytelling using digital technologies in France and Quebec. Studying oral archive institutions and online inventories Internet projects, I question the concept of immaterial heritage. |
| format | Article |
| id | doaj-art-f539f933c88b4b10abaf570016e12d41 |
| institution | Kabale University |
| issn | 1718-5556 |
| language | deu |
| publishDate | 2014-09-01 |
| publisher | Conserveries Mémorielles |
| record_format | Article |
| series | Conserveries Mémorielles |
| spelling | doaj-art-f539f933c88b4b10abaf570016e12d412025-02-05T16:16:44ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562014-09-01Ethnographie d’un film commémoratifIsabelle BecuyweIn 2009 a French cultural institution, owing an audiovisual archives, celebrated its fortieth anniversary. Two ethnologists were thus made responsible for producing an exhibition in less than six months. This finally resulted in a 20-minute film. Looking at the technical and ethical issues that have emerged throughout the making of the film, this paper presents the different steps and problems we faced. It also analyses this achievement regarding its display conditions and its reception by the public. Two issues are particularly addressed. Firstly: what is the historicity of such a film? what does its temporality involve? Secondly: what does the exhibition production process does reveal of forty years of film archiving?In the 2003 UNESCO Convention defined “immaterial heritage”. I work in anthropology on storytelling using digital technologies in France and Quebec. Studying oral archive institutions and online inventories Internet projects, I question the concept of immaterial heritage.https://journals.openedition.org/cm/1935narrativehistoryethnologyICHoral heritageaudiovisual |
| spellingShingle | Isabelle Becuywe Ethnographie d’un film commémoratif Conserveries Mémorielles narrative history ethnology ICH oral heritage audiovisual |
| title | Ethnographie d’un film commémoratif |
| title_full | Ethnographie d’un film commémoratif |
| title_fullStr | Ethnographie d’un film commémoratif |
| title_full_unstemmed | Ethnographie d’un film commémoratif |
| title_short | Ethnographie d’un film commémoratif |
| title_sort | ethnographie d un film commemoratif |
| topic | narrative history ethnology ICH oral heritage audiovisual |
| url | https://journals.openedition.org/cm/1935 |
| work_keys_str_mv | AT isabellebecuywe ethnographiedunfilmcommemoratif |