“Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016)
Drawing upon Edward S. Casey’s philosophy of place (Remembering: A Phenomenological Study, 1987), this analysis of “strange hells (columbus day, 2004),” one of the three sections composing Roy Scranton’s War Porn (2016), focuses on two forms of the Irreparable, torture and rape. “strange hells” show...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2019-12-01
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| Series: | Sillages Critiques |
| Subjects: | |
| Online Access: | https://journals.openedition.org/sillagescritiques/8897 |
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