“Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016)

Drawing upon Edward S. Casey’s philosophy of place (Remembering: A Phenomenological Study, 1987), this analysis of “strange hells (columbus day, 2004),” one of the three sections composing Roy Scranton’s War Porn (2016), focuses on two forms of the Irreparable, torture and rape. “strange hells” show...

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Main Author: Barbara Kowalczuk
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2019-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/8897
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author Barbara Kowalczuk
author_facet Barbara Kowalczuk
author_sort Barbara Kowalczuk
collection DOAJ
description Drawing upon Edward S. Casey’s philosophy of place (Remembering: A Phenomenological Study, 1987), this analysis of “strange hells (columbus day, 2004),” one of the three sections composing Roy Scranton’s War Porn (2016), focuses on two forms of the Irreparable, torture and rape. “strange hells” shows how former National Guard soldier Aaron Stojanowski remains the subject of a place, Camp Crawford, an Iraqi detention center where he witnessed and perpetrated acts of torture and abuse. Recalling the human rights violations photographed at Abu Ghraib in 2003, Aaron’s “war porn” triggers re-implacing, that is, remembering and re-experiencing a past place (Casey). The fictional representation of re-implacing the Iraqi prison, now an incorporated foreign body, calls for an ethical response to the suffering of others and the ontological recognition of the grievability of lives (Judith Butler, Frames of War [2009]).
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publisher Centre de Recherche "Texte et Critique de Texte"
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spelling doaj-art-f49cb0adb3e04a6f9ab6d7f6a43275102025-01-30T13:47:24ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022019-12-012710.4000/sillagescritiques.8897“Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016)Barbara KowalczukDrawing upon Edward S. Casey’s philosophy of place (Remembering: A Phenomenological Study, 1987), this analysis of “strange hells (columbus day, 2004),” one of the three sections composing Roy Scranton’s War Porn (2016), focuses on two forms of the Irreparable, torture and rape. “strange hells” shows how former National Guard soldier Aaron Stojanowski remains the subject of a place, Camp Crawford, an Iraqi detention center where he witnessed and perpetrated acts of torture and abuse. Recalling the human rights violations photographed at Abu Ghraib in 2003, Aaron’s “war porn” triggers re-implacing, that is, remembering and re-experiencing a past place (Casey). The fictional representation of re-implacing the Iraqi prison, now an incorporated foreign body, calls for an ethical response to the suffering of others and the ontological recognition of the grievability of lives (Judith Butler, Frames of War [2009]).https://journals.openedition.org/sillagescritiques/8897rapetortureviolenceIraq WarAbu Ghraibwar porn
spellingShingle Barbara Kowalczuk
“Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016)
Sillages Critiques
rape
torture
violence
Iraq War
Abu Ghraib
war porn
title “Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016)
title_full “Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016)
title_fullStr “Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016)
title_full_unstemmed “Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016)
title_short “Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016)
title_sort some real war shit i fucking held the camera re implacing iraq in roy scranton s war porn 2016
topic rape
torture
violence
Iraq War
Abu Ghraib
war porn
url https://journals.openedition.org/sillagescritiques/8897
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