Les premières sauvegardes de mosaïques antiques en France

The restoration of mosaics begins in France with the notion of patrimony and the feeling of a common heritage to all citizens after the Revolution. But it also springs up in the fancy for italian archeological discoveries. The spreading of knowledge and techniques is carried out through oral exchang...

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Main Author: Capucine Lemaître
Format: Article
Language:English
Published: Association CeROArt 2012-04-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/2383
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author Capucine Lemaître
author_facet Capucine Lemaître
author_sort Capucine Lemaître
collection DOAJ
description The restoration of mosaics begins in France with the notion of patrimony and the feeling of a common heritage to all citizens after the Revolution. But it also springs up in the fancy for italian archeological discoveries. The spreading of knowledge and techniques is carried out through oral exchanges and publications between antique dealers and erudition circles who are going to begin to be interested in vestiges on the french territory and try to ensure their safeguard. The study of two scholars'works, Pierre Schneyder who was the first manager of the Vienne museum in Isere and François Artaud who got together the first french collection of antique mosaics in the Palais des Arts in Lyon allows us to put forward the part of local elites who had to face numerous technical, economical and institutional restraints but who were, despite everything, the initiators of the first thoughts about the restoration of this archeological patrimony.
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series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-f382c7453f1a4cb59d4a513abd4b63aa2025-01-30T14:13:50ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922012-04-0110.4000/ceroart.2383Les premières sauvegardes de mosaïques antiques en FranceCapucine LemaîtreThe restoration of mosaics begins in France with the notion of patrimony and the feeling of a common heritage to all citizens after the Revolution. But it also springs up in the fancy for italian archeological discoveries. The spreading of knowledge and techniques is carried out through oral exchanges and publications between antique dealers and erudition circles who are going to begin to be interested in vestiges on the french territory and try to ensure their safeguard. The study of two scholars'works, Pierre Schneyder who was the first manager of the Vienne museum in Isere and François Artaud who got together the first french collection of antique mosaics in the Palais des Arts in Lyon allows us to put forward the part of local elites who had to face numerous technical, economical and institutional restraints but who were, despite everything, the initiators of the first thoughts about the restoration of this archeological patrimony.https://journals.openedition.org/ceroart/2383Italyantiquitiesmosaics19th CenturyarchéologyMuseum
spellingShingle Capucine Lemaître
Les premières sauvegardes de mosaïques antiques en France
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Italy
antiquities
mosaics
19th Century
archéology
Museum
title Les premières sauvegardes de mosaïques antiques en France
title_full Les premières sauvegardes de mosaïques antiques en France
title_fullStr Les premières sauvegardes de mosaïques antiques en France
title_full_unstemmed Les premières sauvegardes de mosaïques antiques en France
title_short Les premières sauvegardes de mosaïques antiques en France
title_sort les premieres sauvegardes de mosaiques antiques en france
topic Italy
antiquities
mosaics
19th Century
archéology
Museum
url https://journals.openedition.org/ceroart/2383
work_keys_str_mv AT capucinelemaitre lespremieressauvegardesdemosaiquesantiquesenfrance