Tiempos de guerra en la novela y el cine del 69 argentino

This article examines the place of the war in a series of literary and film events next 1969, turning year in Argentine in the process of radicalization of vast sectors of the political and cultural field. The approach chosen thinks the war inside a regime of historicity characteristic of the final...

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Main Author: Cecilia González
Format: Article
Language:Spanish
Published: Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata 2016-10-01
Series:Cuadernos LIRICO
Subjects:
Online Access:https://journals.openedition.org/lirico/3197
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author Cecilia González
author_facet Cecilia González
author_sort Cecilia González
collection DOAJ
description This article examines the place of the war in a series of literary and film events next 1969, turning year in Argentine in the process of radicalization of vast sectors of the political and cultural field. The approach chosen thinks the war inside a regime of historicity characteristic of the final years of the decade, marked by the expectation of an imminent Revolution This experience of time, shared by even antagonistic sectors, declines in three modes in the productions studied: as a call to action in an immediate present (Argentina. Mayo del 69. Los caminos de la liberación, by Directores de mayo), as a manifestation of a messianic temporality (Megafón o la guerra, by Leopoldo Marechal and Los pasos previos, by Francisco Urondo) as logic allegorically operation unstuck immediate referentiality (Diario de la guerra del cerdo, de Adolfo Bioy Casares e Invasión de Hugo Santiago).
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language Spanish
publishDate 2016-10-01
publisher Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
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spelling doaj-art-f34615f79e99412bbef4fc3c55ff47922025-08-20T02:47:04ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392016-10-011510.4000/lirico.3197Tiempos de guerra en la novela y el cine del 69 argentinoCecilia GonzálezThis article examines the place of the war in a series of literary and film events next 1969, turning year in Argentine in the process of radicalization of vast sectors of the political and cultural field. The approach chosen thinks the war inside a regime of historicity characteristic of the final years of the decade, marked by the expectation of an imminent Revolution This experience of time, shared by even antagonistic sectors, declines in three modes in the productions studied: as a call to action in an immediate present (Argentina. Mayo del 69. Los caminos de la liberación, by Directores de mayo), as a manifestation of a messianic temporality (Megafón o la guerra, by Leopoldo Marechal and Los pasos previos, by Francisco Urondo) as logic allegorically operation unstuck immediate referentiality (Diario de la guerra del cerdo, de Adolfo Bioy Casares e Invasión de Hugo Santiago).https://journals.openedition.org/lirico/3197Argentine novel 1960’argentine militant cinemaHugo SantiagoDirectores de MayoLeopoldo MarechalFrancisco Urondo
spellingShingle Cecilia González
Tiempos de guerra en la novela y el cine del 69 argentino
Cuadernos LIRICO
Argentine novel 1960’
argentine militant cinema
Hugo Santiago
Directores de Mayo
Leopoldo Marechal
Francisco Urondo
title Tiempos de guerra en la novela y el cine del 69 argentino
title_full Tiempos de guerra en la novela y el cine del 69 argentino
title_fullStr Tiempos de guerra en la novela y el cine del 69 argentino
title_full_unstemmed Tiempos de guerra en la novela y el cine del 69 argentino
title_short Tiempos de guerra en la novela y el cine del 69 argentino
title_sort tiempos de guerra en la novela y el cine del 69 argentino
topic Argentine novel 1960’
argentine militant cinema
Hugo Santiago
Directores de Mayo
Leopoldo Marechal
Francisco Urondo
url https://journals.openedition.org/lirico/3197
work_keys_str_mv AT ceciliagonzalez tiemposdeguerraenlanovelayelcinedel69argentino