Tiempos de guerra en la novela y el cine del 69 argentino
This article examines the place of the war in a series of literary and film events next 1969, turning year in Argentine in the process of radicalization of vast sectors of the political and cultural field. The approach chosen thinks the war inside a regime of historicity characteristic of the final...
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| Main Author: | |
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| Format: | Article |
| Language: | Spanish |
| Published: |
Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2016-10-01
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| Series: | Cuadernos LIRICO |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lirico/3197 |
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| Summary: | This article examines the place of the war in a series of literary and film events next 1969, turning year in Argentine in the process of radicalization of vast sectors of the political and cultural field. The approach chosen thinks the war inside a regime of historicity characteristic of the final years of the decade, marked by the expectation of an imminent Revolution This experience of time, shared by even antagonistic sectors, declines in three modes in the productions studied: as a call to action in an immediate present (Argentina. Mayo del 69. Los caminos de la liberación, by Directores de mayo), as a manifestation of a messianic temporality (Megafón o la guerra, by Leopoldo Marechal and Los pasos previos, by Francisco Urondo) as logic allegorically operation unstuck immediate referentiality (Diario de la guerra del cerdo, de Adolfo Bioy Casares e Invasión de Hugo Santiago). |
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| ISSN: | 2262-8339 |