The Literary and Artistic Avant‑Gardes in Revolutionary Mexico (1915‑1929)

This essay analyzes five different moments and scenarios that define the early artistic and literary avant-gardes of Mexico between 1915 and 1924. The initial moments all involve Mexican artists and writers who are based abroad. Born simultaneously in New York and Paris, then reborn in Caracas and B...

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Main Author: Anthony Stanton
Format: Article
Language:English
Published: Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine 2023-03-01
Series:L'Ordinaire des Amériques
Subjects:
Online Access:https://journals.openedition.org/orda/8769
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author Anthony Stanton
author_facet Anthony Stanton
author_sort Anthony Stanton
collection DOAJ
description This essay analyzes five different moments and scenarios that define the early artistic and literary avant-gardes of Mexico between 1915 and 1924. The initial moments all involve Mexican artists and writers who are based abroad. Born simultaneously in New York and Paris, then reborn in Caracas and Barcelona, the Mexican avant-garde finally sets down its roots in the native land in 1921. The fifth moment receives greater attention as it deals with the Estridentismo movement, launched at the end of 1921 in Mexico City. A detailed reading is offered of the collaboration between the writer Manuel Maples Arce and the painter Jean Charlot, especially in the illustrated edition of the former’s long poem Urbe: super-poema bolchevique en 5 cantos (1924). In each of the moments mentioned the protagonists distinguish themselves as independent rebels within the radical movements of rebellion that constitute the aesthetic revolution we now refer to as the historical avant‑gardes.
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spelling doaj-art-f2ae8b1d247b40fab10231ad097b341c2025-08-20T03:00:22ZengInstitut Pluridisciplinaire pour les Etudes sur l'Amérique LatineL'Ordinaire des Amériques2273-00952023-03-0123010.4000/orda.8769The Literary and Artistic Avant‑Gardes in Revolutionary Mexico (1915‑1929)Anthony StantonThis essay analyzes five different moments and scenarios that define the early artistic and literary avant-gardes of Mexico between 1915 and 1924. The initial moments all involve Mexican artists and writers who are based abroad. Born simultaneously in New York and Paris, then reborn in Caracas and Barcelona, the Mexican avant-garde finally sets down its roots in the native land in 1921. The fifth moment receives greater attention as it deals with the Estridentismo movement, launched at the end of 1921 in Mexico City. A detailed reading is offered of the collaboration between the writer Manuel Maples Arce and the painter Jean Charlot, especially in the illustrated edition of the former’s long poem Urbe: super-poema bolchevique en 5 cantos (1924). In each of the moments mentioned the protagonists distinguish themselves as independent rebels within the radical movements of rebellion that constitute the aesthetic revolution we now refer to as the historical avant‑gardes.https://journals.openedition.org/orda/8769Mexicoliteratureartavant-garderebels and revolutionaries
spellingShingle Anthony Stanton
The Literary and Artistic Avant‑Gardes in Revolutionary Mexico (1915‑1929)
L'Ordinaire des Amériques
Mexico
literature
art
avant-garde
rebels and revolutionaries
title The Literary and Artistic Avant‑Gardes in Revolutionary Mexico (1915‑1929)
title_full The Literary and Artistic Avant‑Gardes in Revolutionary Mexico (1915‑1929)
title_fullStr The Literary and Artistic Avant‑Gardes in Revolutionary Mexico (1915‑1929)
title_full_unstemmed The Literary and Artistic Avant‑Gardes in Revolutionary Mexico (1915‑1929)
title_short The Literary and Artistic Avant‑Gardes in Revolutionary Mexico (1915‑1929)
title_sort literary and artistic avant gardes in revolutionary mexico 1915 1929
topic Mexico
literature
art
avant-garde
rebels and revolutionaries
url https://journals.openedition.org/orda/8769
work_keys_str_mv AT anthonystanton theliteraryandartisticavantgardesinrevolutionarymexico19151929
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