Machines de théâtre et théâtres-machines des années 1960-1970
In 1961, at a conference held at Royaumont, the painter and set designer Rene Allio announced a principle which has become a rule, that of the theatre ‘as an instrument’. He was pleading for the effectiveness of the tools of the stage set during a time when the traditions of the ‘théâtre à l’italien...
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Language: | fra |
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Ministère de la Culture et de la Communication
2024-07-01
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Online Access: | https://journals.openedition.org/insitu/41937 |
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author | Sandrine Dubouilh |
author_facet | Sandrine Dubouilh |
author_sort | Sandrine Dubouilh |
collection | DOAJ |
description | In 1961, at a conference held at Royaumont, the painter and set designer Rene Allio announced a principle which has become a rule, that of the theatre ‘as an instrument’. He was pleading for the effectiveness of the tools of the stage set during a time when the traditions of the ‘théâtre à l’italienne’ were being called into question. Attempts to create the experimental machineries in harmony with the aspirations of the time were rare however, and rarely crowned with success. From this period, only the Amiens Maison de la Culture still keeps a physical vestige which, in theory, could still be used. But managing the regular activity of a theatre leaves little room for the conservation of stage sets that are badly adapted or dysfunctional. At the same time, however, if these artifacts disappear, they will render invisible the traces of a history rich in its interrogations and experimentation. |
format | Article |
id | doaj-art-f25e54ab78484f0d9394cc69b405128f |
institution | Kabale University |
issn | 1630-7305 |
language | fra |
publishDate | 2024-07-01 |
publisher | Ministère de la Culture et de la Communication |
record_format | Article |
series | In Situ |
spelling | doaj-art-f25e54ab78484f0d9394cc69b405128f2025-01-09T12:43:33ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052024-07-015310.4000/122phMachines de théâtre et théâtres-machines des années 1960-1970Sandrine DubouilhIn 1961, at a conference held at Royaumont, the painter and set designer Rene Allio announced a principle which has become a rule, that of the theatre ‘as an instrument’. He was pleading for the effectiveness of the tools of the stage set during a time when the traditions of the ‘théâtre à l’italienne’ were being called into question. Attempts to create the experimental machineries in harmony with the aspirations of the time were rare however, and rarely crowned with success. From this period, only the Amiens Maison de la Culture still keeps a physical vestige which, in theory, could still be used. But managing the regular activity of a theatre leaves little room for the conservation of stage sets that are badly adapted or dysfunctional. At the same time, however, if these artifacts disappear, they will render invisible the traces of a history rich in its interrogations and experimentation.https://journals.openedition.org/insitu/41937stagecrafttheatre architecturecontemporary theatrestage machineryMaison de la Culture |
spellingShingle | Sandrine Dubouilh Machines de théâtre et théâtres-machines des années 1960-1970 In Situ stagecraft theatre architecture contemporary theatre stage machinery Maison de la Culture |
title | Machines de théâtre et théâtres-machines des années 1960-1970 |
title_full | Machines de théâtre et théâtres-machines des années 1960-1970 |
title_fullStr | Machines de théâtre et théâtres-machines des années 1960-1970 |
title_full_unstemmed | Machines de théâtre et théâtres-machines des années 1960-1970 |
title_short | Machines de théâtre et théâtres-machines des années 1960-1970 |
title_sort | machines de theatre et theatres machines des annees 1960 1970 |
topic | stagecraft theatre architecture contemporary theatre stage machinery Maison de la Culture |
url | https://journals.openedition.org/insitu/41937 |
work_keys_str_mv | AT sandrinedubouilh machinesdetheatreettheatresmachinesdesannees19601970 |