La semántica de la muerte: representación del Tánatos en Extracción de la piedra de locura, de Alejandra Pizarnik
This paper examines the manifestations of the death drive in Alejandra Pizarnik's work, Extracción de la piedra de locura (1968). When the Argentine poet selected the poems that make up this work, she chose texts developed between 1962 and 1964. Extracción represents her mature collection, whil...
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Format: | Article |
Language: | Spanish |
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University of Bologna
2024-12-01
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Series: | Confluenze |
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Online Access: | https://confluenze.unibo.it/article/view/18239 |
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author | Fernando Candón-Ríos |
author_facet | Fernando Candón-Ríos |
author_sort | Fernando Candón-Ríos |
collection | DOAJ |
description | This paper examines the manifestations of the death drive in Alejandra Pizarnik's work, Extracción de la piedra de locura (1968). When the Argentine poet selected the poems that make up this work, she chose texts developed between 1962 and 1964. Extracción represents her mature collection, while concurrently revealing the severe existential crisis of the author. The analysis of the verses demonstrates a tendency towards self-destruction and death. However, it starts from the initial hypothesis that the poetry collection is a confessional text, not a suicide note. |
format | Article |
id | doaj-art-f217a9932db64b9aba944cac31f52950 |
institution | Kabale University |
issn | 2036-0967 |
language | Spanish |
publishDate | 2024-12-01 |
publisher | University of Bologna |
record_format | Article |
series | Confluenze |
spelling | doaj-art-f217a9932db64b9aba944cac31f529502025-01-10T10:27:35ZspaUniversity of BolognaConfluenze2036-09672024-12-0116215316810.6092/issn.2036-0967/1823916598La semántica de la muerte: representación del Tánatos en Extracción de la piedra de locura, de Alejandra PizarnikFernando Candón-RíosThis paper examines the manifestations of the death drive in Alejandra Pizarnik's work, Extracción de la piedra de locura (1968). When the Argentine poet selected the poems that make up this work, she chose texts developed between 1962 and 1964. Extracción represents her mature collection, while concurrently revealing the severe existential crisis of the author. The analysis of the verses demonstrates a tendency towards self-destruction and death. However, it starts from the initial hypothesis that the poetry collection is a confessional text, not a suicide note.https://confluenze.unibo.it/article/view/18239alejandra pizarnikpoetrydeath drivesuicidethanatos |
spellingShingle | Fernando Candón-Ríos La semántica de la muerte: representación del Tánatos en Extracción de la piedra de locura, de Alejandra Pizarnik Confluenze alejandra pizarnik poetry death drive suicide thanatos |
title | La semántica de la muerte: representación del Tánatos en Extracción de la piedra de locura, de Alejandra Pizarnik |
title_full | La semántica de la muerte: representación del Tánatos en Extracción de la piedra de locura, de Alejandra Pizarnik |
title_fullStr | La semántica de la muerte: representación del Tánatos en Extracción de la piedra de locura, de Alejandra Pizarnik |
title_full_unstemmed | La semántica de la muerte: representación del Tánatos en Extracción de la piedra de locura, de Alejandra Pizarnik |
title_short | La semántica de la muerte: representación del Tánatos en Extracción de la piedra de locura, de Alejandra Pizarnik |
title_sort | la semantica de la muerte representacion del tanatos en extraccion de la piedra de locura de alejandra pizarnik |
topic | alejandra pizarnik poetry death drive suicide thanatos |
url | https://confluenze.unibo.it/article/view/18239 |
work_keys_str_mv | AT fernandocandonrios lasemanticadelamuerterepresentaciondeltanatosenextracciondelapiedradelocuradealejandrapizarnik |