Les ordres du spectre : la science-fiction numérique et le présent corrigé
This article examines the aesthetics of what Anthony Dunne calls “Hertzian space” or the electromagnetic flows that enable wireless communication devices through comparative attention to three contemporary transmedia universes: the BBC’s Sherlock, SyFy’s Alphas, and Fox’s Touch. I argue that each of...
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| Format: | Article |
| Language: | fra |
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Université de Limoges
2017-11-01
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| Series: | ReS Futurae |
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| Online Access: | https://journals.openedition.org/resf/1171 |
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| author | Rebekah Sheldon |
| author_facet | Rebekah Sheldon |
| author_sort | Rebekah Sheldon |
| collection | DOAJ |
| description | This article examines the aesthetics of what Anthony Dunne calls “Hertzian space” or the electromagnetic flows that enable wireless communication devices through comparative attention to three contemporary transmedia universes: the BBC’s Sherlock, SyFy’s Alphas, and Fox’s Touch. I argue that each of these shows uses the emerging conventions of neuro-atypicality in order to make visible and render as story the data streams whose omnipresence cannot be experienced as such by the human sensorium without first becoming meaningful. This need for translation from data to narrative disrupts a fantasy of effortless transduction. I contend that the difficulty is solved through the characters of Sherlock, Gary, and Jacob, who give us unmediated access to dataflows. By the same token, these characters intimate a new form of epistemic mastery and concomitant subjectivization. |
| format | Article |
| id | doaj-art-f0f2351d4874482c983cf04b6321aecc |
| institution | Kabale University |
| issn | 2264-6949 |
| language | fra |
| publishDate | 2017-11-01 |
| publisher | Université de Limoges |
| record_format | Article |
| series | ReS Futurae |
| spelling | doaj-art-f0f2351d4874482c983cf04b6321aecc2025-01-06T10:42:25ZfraUniversité de LimogesReS Futurae2264-69492017-11-011010.4000/resf.1171Les ordres du spectre : la science-fiction numérique et le présent corrigéRebekah SheldonThis article examines the aesthetics of what Anthony Dunne calls “Hertzian space” or the electromagnetic flows that enable wireless communication devices through comparative attention to three contemporary transmedia universes: the BBC’s Sherlock, SyFy’s Alphas, and Fox’s Touch. I argue that each of these shows uses the emerging conventions of neuro-atypicality in order to make visible and render as story the data streams whose omnipresence cannot be experienced as such by the human sensorium without first becoming meaningful. This need for translation from data to narrative disrupts a fantasy of effortless transduction. I contend that the difficulty is solved through the characters of Sherlock, Gary, and Jacob, who give us unmediated access to dataflows. By the same token, these characters intimate a new form of epistemic mastery and concomitant subjectivization.https://journals.openedition.org/resf/1171transmediacomputer scienceneuro-atypicalitydata |
| spellingShingle | Rebekah Sheldon Les ordres du spectre : la science-fiction numérique et le présent corrigé ReS Futurae transmedia computer science neuro-atypicality data |
| title | Les ordres du spectre : la science-fiction numérique et le présent corrigé |
| title_full | Les ordres du spectre : la science-fiction numérique et le présent corrigé |
| title_fullStr | Les ordres du spectre : la science-fiction numérique et le présent corrigé |
| title_full_unstemmed | Les ordres du spectre : la science-fiction numérique et le présent corrigé |
| title_short | Les ordres du spectre : la science-fiction numérique et le présent corrigé |
| title_sort | les ordres du spectre la science fiction numerique et le present corrige |
| topic | transmedia computer science neuro-atypicality data |
| url | https://journals.openedition.org/resf/1171 |
| work_keys_str_mv | AT rebekahsheldon lesordresduspectrelasciencefictionnumeriqueetlepresentcorrige |