Lucrecia Martel, escribidora de cartas
In Lucrecia Martel’s cinema, literature receives an acoustic treatment rather than a visual one, while in her letters reverberations appear to come from both cinema and literature to make her way as a filmmaker involved in the present. If writing crystallizes the spoken word and the printed press fi...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2024-12-01
|
| Series: | Cuadernos LIRICO |
| Subjects: | |
| Online Access: | https://journals.openedition.org/lirico/16427 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | In Lucrecia Martel’s cinema, literature receives an acoustic treatment rather than a visual one, while in her letters reverberations appear to come from both cinema and literature to make her way as a filmmaker involved in the present. If writing crystallizes the spoken word and the printed press finishes embedding it in the visual space, both Martel’s films and public speeches, manifested in the epistolary genre par excellence, take the opposite path: the words are not torn from the sound sphere, where they had their origin in active human exchange, to relegate them to the visual order. |
|---|---|
| ISSN: | 2262-8339 |