Il “tesoro” delle donne: una interpretazione iconografica e iconologica de La Dama e l’Unicorno

The collection of tapestry in the Cluny Museum in Paris – known as The Lady and the Unicorn – presents a singular and apparently mysterious iconography that in the 20th century has been interpreted as an allegory of the five senses. After connecting some parts of the tapestry to the discovery of the...

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Main Author: Elisa Rossi
Format: Article
Language:deu
Published: Università degli Studi di Ferrara 2021-12-01
Series:Annali Online dell'Università di Ferrara. Sezione Lettere
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author Elisa Rossi
author_facet Elisa Rossi
author_sort Elisa Rossi
collection DOAJ
description The collection of tapestry in the Cluny Museum in Paris – known as The Lady and the Unicorn – presents a singular and apparently mysterious iconography that in the 20th century has been interpreted as an allegory of the five senses. After connecting some parts of the tapestry to the discovery of the set in the Boussac castle, this essay proposes a reinterpretation of the subject, focusing on its literary sources. Particular attention will be given to the role of tapestry merchants in the spread of new or appreciated themes. Maybe a revised interpretation will reveal the appropriate name given to the collection during the XV and the XVI centuries – as we will now consider.
format Article
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institution Kabale University
issn 1826-803X
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publisher Università degli Studi di Ferrara
record_format Article
series Annali Online dell'Università di Ferrara. Sezione Lettere
spelling doaj-art-ef3098d1579f4fde8bb9c4bf28f36bfa2025-08-20T03:30:33ZdeuUniversità degli Studi di FerraraAnnali Online dell'Università di Ferrara. Sezione Lettere1826-803X2021-12-01XVI5189https://doi.org/10.15160/aolf.v16i0.2368Il “tesoro” delle donne: una interpretazione iconografica e iconologica de La Dama e l’UnicornoElisa RossiThe collection of tapestry in the Cluny Museum in Paris – known as The Lady and the Unicorn – presents a singular and apparently mysterious iconography that in the 20th century has been interpreted as an allegory of the five senses. After connecting some parts of the tapestry to the discovery of the set in the Boussac castle, this essay proposes a reinterpretation of the subject, focusing on its literary sources. Particular attention will be given to the role of tapestry merchants in the spread of new or appreciated themes. Maybe a revised interpretation will reveal the appropriate name given to the collection during the XV and the XVI centuries – as we will now consider.unicornliontapestrychristine de pizanthe city of ladies
spellingShingle Elisa Rossi
Il “tesoro” delle donne: una interpretazione iconografica e iconologica de La Dama e l’Unicorno
Annali Online dell'Università di Ferrara. Sezione Lettere
unicorn
lion
tapestry
christine de pizan
the city of ladies
title Il “tesoro” delle donne: una interpretazione iconografica e iconologica de La Dama e l’Unicorno
title_full Il “tesoro” delle donne: una interpretazione iconografica e iconologica de La Dama e l’Unicorno
title_fullStr Il “tesoro” delle donne: una interpretazione iconografica e iconologica de La Dama e l’Unicorno
title_full_unstemmed Il “tesoro” delle donne: una interpretazione iconografica e iconologica de La Dama e l’Unicorno
title_short Il “tesoro” delle donne: una interpretazione iconografica e iconologica de La Dama e l’Unicorno
title_sort il tesoro delle donne una interpretazione iconografica e iconologica de la dama e l unicorno
topic unicorn
lion
tapestry
christine de pizan
the city of ladies
work_keys_str_mv AT elisarossi iltesorodelledonneunainterpretazioneiconograficaeiconologicadeladamaelunicorno