Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance

This article examines how the Jamaican artist uses music to advance pan-African resistance and solidarity agenda. It argues that through commitment art, the artist evokes literary motifs of anti-colonialism, identity and pan-African solidarity in the context of Africa’s independence and post-indepen...

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Main Author: Beaton Galafa
Format: Article
Language:English
Published: Presses Universitaires du Midi 2024-08-01
Series:Caliban: French Journal of English Studies
Subjects:
Online Access:https://journals.openedition.org/caliban/12646
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author Beaton Galafa
author_facet Beaton Galafa
author_sort Beaton Galafa
collection DOAJ
description This article examines how the Jamaican artist uses music to advance pan-African resistance and solidarity agenda. It argues that through commitment art, the artist evokes literary motifs of anti-colonialism, identity and pan-African solidarity in the context of Africa’s independence and post-independence struggles. This form of resistance and propagation of pan-Africanism emerges from the artist’s political consciousness in a (post)colonial environment. The sample of music analyzed in the article includes purposively selected Jamaican songs, spanning the period 1962-2021, from artists such as Bob Marley, Culture, Cocoa Tea, Busy Signal and Mr. Vegas among others. However, the discussion is also informed by existing studies on Jamaican music and the politics of resistance. The article is framed within the postcolonial theory in its interpretation of the selected Jamaican music.
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institution Kabale University
issn 2425-6250
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publishDate 2024-08-01
publisher Presses Universitaires du Midi
record_format Article
series Caliban: French Journal of English Studies
spelling doaj-art-ef165f42a26a4e39b2a93dfe9b7c30bd2025-08-20T03:44:39ZengPresses Universitaires du MidiCaliban: French Journal of English Studies2425-62502431-17662024-08-017110.4000/12dmkRésistance et solidarité panafricaines dans la musique jamaïcaine postindépendanceBeaton GalafaThis article examines how the Jamaican artist uses music to advance pan-African resistance and solidarity agenda. It argues that through commitment art, the artist evokes literary motifs of anti-colonialism, identity and pan-African solidarity in the context of Africa’s independence and post-independence struggles. This form of resistance and propagation of pan-Africanism emerges from the artist’s political consciousness in a (post)colonial environment. The sample of music analyzed in the article includes purposively selected Jamaican songs, spanning the period 1962-2021, from artists such as Bob Marley, Culture, Cocoa Tea, Busy Signal and Mr. Vegas among others. However, the discussion is also informed by existing studies on Jamaican music and the politics of resistance. The article is framed within the postcolonial theory in its interpretation of the selected Jamaican music.https://journals.openedition.org/caliban/12646identitymusicJamaicapan-Africanresistance
spellingShingle Beaton Galafa
Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance
Caliban: French Journal of English Studies
identity
music
Jamaica
pan-African
resistance
title Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance
title_full Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance
title_fullStr Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance
title_full_unstemmed Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance
title_short Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance
title_sort resistance et solidarite panafricaines dans la musique jamaicaine postindependance
topic identity
music
Jamaica
pan-African
resistance
url https://journals.openedition.org/caliban/12646
work_keys_str_mv AT beatongalafa resistanceetsolidaritepanafricainesdanslamusiquejamaicainepostindependance