Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance
This article examines how the Jamaican artist uses music to advance pan-African resistance and solidarity agenda. It argues that through commitment art, the artist evokes literary motifs of anti-colonialism, identity and pan-African solidarity in the context of Africa’s independence and post-indepen...
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| Format: | Article |
| Language: | English |
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Presses Universitaires du Midi
2024-08-01
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| Series: | Caliban: French Journal of English Studies |
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| Online Access: | https://journals.openedition.org/caliban/12646 |
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| _version_ | 1849337522995331072 |
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| author | Beaton Galafa |
| author_facet | Beaton Galafa |
| author_sort | Beaton Galafa |
| collection | DOAJ |
| description | This article examines how the Jamaican artist uses music to advance pan-African resistance and solidarity agenda. It argues that through commitment art, the artist evokes literary motifs of anti-colonialism, identity and pan-African solidarity in the context of Africa’s independence and post-independence struggles. This form of resistance and propagation of pan-Africanism emerges from the artist’s political consciousness in a (post)colonial environment. The sample of music analyzed in the article includes purposively selected Jamaican songs, spanning the period 1962-2021, from artists such as Bob Marley, Culture, Cocoa Tea, Busy Signal and Mr. Vegas among others. However, the discussion is also informed by existing studies on Jamaican music and the politics of resistance. The article is framed within the postcolonial theory in its interpretation of the selected Jamaican music. |
| format | Article |
| id | doaj-art-ef165f42a26a4e39b2a93dfe9b7c30bd |
| institution | Kabale University |
| issn | 2425-6250 2431-1766 |
| language | English |
| publishDate | 2024-08-01 |
| publisher | Presses Universitaires du Midi |
| record_format | Article |
| series | Caliban: French Journal of English Studies |
| spelling | doaj-art-ef165f42a26a4e39b2a93dfe9b7c30bd2025-08-20T03:44:39ZengPresses Universitaires du MidiCaliban: French Journal of English Studies2425-62502431-17662024-08-017110.4000/12dmkRésistance et solidarité panafricaines dans la musique jamaïcaine postindépendanceBeaton GalafaThis article examines how the Jamaican artist uses music to advance pan-African resistance and solidarity agenda. It argues that through commitment art, the artist evokes literary motifs of anti-colonialism, identity and pan-African solidarity in the context of Africa’s independence and post-independence struggles. This form of resistance and propagation of pan-Africanism emerges from the artist’s political consciousness in a (post)colonial environment. The sample of music analyzed in the article includes purposively selected Jamaican songs, spanning the period 1962-2021, from artists such as Bob Marley, Culture, Cocoa Tea, Busy Signal and Mr. Vegas among others. However, the discussion is also informed by existing studies on Jamaican music and the politics of resistance. The article is framed within the postcolonial theory in its interpretation of the selected Jamaican music.https://journals.openedition.org/caliban/12646identitymusicJamaicapan-Africanresistance |
| spellingShingle | Beaton Galafa Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance Caliban: French Journal of English Studies identity music Jamaica pan-African resistance |
| title | Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance |
| title_full | Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance |
| title_fullStr | Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance |
| title_full_unstemmed | Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance |
| title_short | Résistance et solidarité panafricaines dans la musique jamaïcaine postindépendance |
| title_sort | resistance et solidarite panafricaines dans la musique jamaicaine postindependance |
| topic | identity music Jamaica pan-African resistance |
| url | https://journals.openedition.org/caliban/12646 |
| work_keys_str_mv | AT beatongalafa resistanceetsolidaritepanafricainesdanslamusiquejamaicainepostindependance |