Disentangling from Epistemic Violence: Contemporary Photographers Unfixing the Image of Africa
This essay looks at ways of disentangling from epistemic violence in visual production in African urban contexts. Tracing parallels between the colonial intrinsically violent gaze and contemporary attempts to disentangle from epistemic violence, the author seeks to problematize the violence of image...
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| Format: | Article |
| Language: | English |
| Published: |
Berlin Universities Publishing
2023-02-01
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| Series: | The February Journal |
| Online Access: | https://thefebruaryjournal.org/index.php/tfj/article/view/75 |
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| _version_ | 1849397169395597312 |
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| author | A. A. |
| author_facet | A. A. |
| author_sort | A. A. |
| collection | DOAJ |
| description | This essay looks at ways of disentangling from epistemic violence in visual production in African urban contexts. Tracing parallels between the colonial intrinsically violent gaze and contemporary attempts to disentangle from epistemic violence, the author seeks to problematize the violence of images of Africa. The essay examines works of photographers who explore urban environments in West Africa by establishing an intimate relationship with a place, opening avenues for multiple ways of seeing. This contribution shows how this personal dimension allows photographers to transcend objectivity and go beyond epistemic violence based on the opposition of ‘right’ and ‘wrong.’ Contemplation of the city occurs both in thoughtful relation with the self and with the surrounding environment.
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| format | Article |
| id | doaj-art-eefa72b3d98d49dd8b6294c4faf74bb5 |
| institution | Kabale University |
| issn | 2940-5181 |
| language | English |
| publishDate | 2023-02-01 |
| publisher | Berlin Universities Publishing |
| record_format | Article |
| series | The February Journal |
| spelling | doaj-art-eefa72b3d98d49dd8b6294c4faf74bb52025-08-20T03:39:06ZengBerlin Universities PublishingThe February Journal2940-51812023-02-0101-02Disentangling from Epistemic Violence: Contemporary Photographers Unfixing the Image of AfricaA. A.This essay looks at ways of disentangling from epistemic violence in visual production in African urban contexts. Tracing parallels between the colonial intrinsically violent gaze and contemporary attempts to disentangle from epistemic violence, the author seeks to problematize the violence of images of Africa. The essay examines works of photographers who explore urban environments in West Africa by establishing an intimate relationship with a place, opening avenues for multiple ways of seeing. This contribution shows how this personal dimension allows photographers to transcend objectivity and go beyond epistemic violence based on the opposition of ‘right’ and ‘wrong.’ Contemplation of the city occurs both in thoughtful relation with the self and with the surrounding environment. https://thefebruaryjournal.org/index.php/tfj/article/view/75 |
| spellingShingle | A. A. Disentangling from Epistemic Violence: Contemporary Photographers Unfixing the Image of Africa The February Journal |
| title | Disentangling from Epistemic Violence: Contemporary Photographers Unfixing the Image of Africa |
| title_full | Disentangling from Epistemic Violence: Contemporary Photographers Unfixing the Image of Africa |
| title_fullStr | Disentangling from Epistemic Violence: Contemporary Photographers Unfixing the Image of Africa |
| title_full_unstemmed | Disentangling from Epistemic Violence: Contemporary Photographers Unfixing the Image of Africa |
| title_short | Disentangling from Epistemic Violence: Contemporary Photographers Unfixing the Image of Africa |
| title_sort | disentangling from epistemic violence contemporary photographers unfixing the image of africa |
| url | https://thefebruaryjournal.org/index.php/tfj/article/view/75 |
| work_keys_str_mv | AT aa disentanglingfromepistemicviolencecontemporaryphotographersunfixingtheimageofafrica |