Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
In the article, from the standpoint of cognitive poetics, the features of updating the RAUM conceptosphere in the poetry of R. M. Rilke are considered. The relevance of the study is due to insufficient knowledge of the phenomenon of the individual author’s conceptosphere of the poetic text, as well...
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| Format: | Article |
| Language: | Russian |
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Tsentr nauchnykh i obrazovatelnykh proektov
2019-11-01
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| Series: | Научный диалог |
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| Online Access: | https://www.nauka-dialog.ru/jour/article/view/1431 |
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| author | E. N. Aznacheeva O. A. Radchuk |
| author_facet | E. N. Aznacheeva O. A. Radchuk |
| author_sort | E. N. Aznacheeva |
| collection | DOAJ |
| description | In the article, from the standpoint of cognitive poetics, the features of updating the RAUM conceptosphere in the poetry of R. M. Rilke are considered. The relevance of the study is due to insufficient knowledge of the phenomenon of the individual author’s conceptosphere of the poetic text, as well as the features of the functioning of text concepts in the work of R. M. Rilke. The objectives of the study are a layer-by-layer analysis of key artistic concepts in their relevance to the national language code, in identifying the functional characteristics of general cultural and individual-author elements of the concept sphere, in determining the cognitive-stylistic features of the poet’s idiollect. It is shown that the individual-author specifics of the RAUM conceptosphere by R. M. Rilke are distinguishing features of the categorization and specification of the semantics of concepts, whose names are the most common and significant lexemes with spatial semantics in the poet’s work. The significance of the spatial dimension in Rilke's poetry is indicated by the high recurrence of the exponents of the RAUM conceptosphere - the key concepts HAUS, ERDE, HIMMEL, WELTINNENRAUM together with other elements combined with them by synonymous, hyper-hyponymic and associative connection. It is proved that key concepts are a means of expressing personal meanings, the invariant content of which can be defined as the desire to overcome the limitations of earthly existence and to merge with a higher principle. |
| format | Article |
| id | doaj-art-eec14c8cdbda4cd1b8efa1faa068f275 |
| institution | Kabale University |
| issn | 2225-756X 2227-1295 |
| language | Russian |
| publishDate | 2019-11-01 |
| publisher | Tsentr nauchnykh i obrazovatelnykh proektov |
| record_format | Article |
| series | Научный диалог |
| spelling | doaj-art-eec14c8cdbda4cd1b8efa1faa068f2752025-08-25T18:13:20ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952019-11-0101192210.24224/2227-1295-2019-11-9-221427Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. RilkeE. N. Aznacheeva0O. A. Radchuk1Chelyabinsk State UniversityRepublican State Enterprise on the right of economic management “Kostanay State University A. Baitursynov” of the Republic of Kazakhstan Ministry of Education and ScienceIn the article, from the standpoint of cognitive poetics, the features of updating the RAUM conceptosphere in the poetry of R. M. Rilke are considered. The relevance of the study is due to insufficient knowledge of the phenomenon of the individual author’s conceptosphere of the poetic text, as well as the features of the functioning of text concepts in the work of R. M. Rilke. The objectives of the study are a layer-by-layer analysis of key artistic concepts in their relevance to the national language code, in identifying the functional characteristics of general cultural and individual-author elements of the concept sphere, in determining the cognitive-stylistic features of the poet’s idiollect. It is shown that the individual-author specifics of the RAUM conceptosphere by R. M. Rilke are distinguishing features of the categorization and specification of the semantics of concepts, whose names are the most common and significant lexemes with spatial semantics in the poet’s work. The significance of the spatial dimension in Rilke's poetry is indicated by the high recurrence of the exponents of the RAUM conceptosphere - the key concepts HAUS, ERDE, HIMMEL, WELTINNENRAUM together with other elements combined with them by synonymous, hyper-hyponymic and associative connection. It is proved that key concepts are a means of expressing personal meanings, the invariant content of which can be defined as the desire to overcome the limitations of earthly existence and to merge with a higher principle.https://www.nauka-dialog.ru/jour/article/view/1431cognitive poeticsart conceptconcept spherespaceidiostyle |
| spellingShingle | E. N. Aznacheeva O. A. Radchuk Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke Научный диалог cognitive poetics art concept concept sphere space idiostyle |
| title | Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke |
| title_full | Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke |
| title_fullStr | Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke |
| title_full_unstemmed | Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke |
| title_short | Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke |
| title_sort | spatial concepts raum haus erde himmel weltinnenraum in the poetic picture of the world r m rilke |
| topic | cognitive poetics art concept concept sphere space idiostyle |
| url | https://www.nauka-dialog.ru/jour/article/view/1431 |
| work_keys_str_mv | AT enaznacheeva spatialconceptsraumhauserdehimmelweltinnenrauminthepoeticpictureoftheworldrmrilke AT oaradchuk spatialconceptsraumhauserdehimmelweltinnenrauminthepoeticpictureoftheworldrmrilke |