Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke

In the article, from the standpoint of cognitive poetics, the features of updating the RAUM conceptosphere in the poetry of R. M. Rilke are considered. The relevance of the study is due to insufficient knowledge of the phenomenon of the individual author’s conceptosphere of the poetic text, as well...

Full description

Saved in:
Bibliographic Details
Main Authors: E. N. Aznacheeva, O. A. Radchuk
Format: Article
Language:Russian
Published: Tsentr nauchnykh i obrazovatelnykh proektov 2019-11-01
Series:Научный диалог
Subjects:
Online Access:https://www.nauka-dialog.ru/jour/article/view/1431
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1849223790255407104
author E. N. Aznacheeva
O. A. Radchuk
author_facet E. N. Aznacheeva
O. A. Radchuk
author_sort E. N. Aznacheeva
collection DOAJ
description In the article, from the standpoint of cognitive poetics, the features of updating the RAUM conceptosphere in the poetry of R. M. Rilke are considered. The relevance of the study is due to insufficient knowledge of the phenomenon of the individual author’s conceptosphere of the poetic text, as well as the features of the functioning of text concepts in the work of R. M. Rilke. The objectives of the study are a layer-by-layer analysis of key artistic concepts in their relevance to the national language code, in identifying the functional characteristics of general cultural and individual-author elements of the concept sphere, in determining the cognitive-stylistic features of the poet’s idiollect. It is shown that the individual-author specifics of the RAUM conceptosphere by R. M. Rilke are distinguishing features of the categorization and specification of the semantics of concepts, whose names are the most common and significant lexemes with spatial semantics in the poet’s work. The significance of the spatial dimension in Rilke's poetry is indicated by the high recurrence of the exponents of the RAUM conceptosphere - the key concepts HAUS, ERDE, HIMMEL, WELTINNENRAUM together with other elements combined with them by synonymous, hyper-hyponymic and associative connection. It is proved that key concepts are a means of expressing personal meanings, the invariant content of which can be defined as the desire to overcome the limitations of earthly existence and to merge with a higher principle.
format Article
id doaj-art-eec14c8cdbda4cd1b8efa1faa068f275
institution Kabale University
issn 2225-756X
2227-1295
language Russian
publishDate 2019-11-01
publisher Tsentr nauchnykh i obrazovatelnykh proektov
record_format Article
series Научный диалог
spelling doaj-art-eec14c8cdbda4cd1b8efa1faa068f2752025-08-25T18:13:20ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952019-11-0101192210.24224/2227-1295-2019-11-9-221427Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. RilkeE. N. Aznacheeva0O. A. Radchuk1Chelyabinsk State UniversityRepublican State Enterprise on the right of economic management “Kostanay State University A. Baitursynov” of the Republic of Kazakhstan Ministry of Education and ScienceIn the article, from the standpoint of cognitive poetics, the features of updating the RAUM conceptosphere in the poetry of R. M. Rilke are considered. The relevance of the study is due to insufficient knowledge of the phenomenon of the individual author’s conceptosphere of the poetic text, as well as the features of the functioning of text concepts in the work of R. M. Rilke. The objectives of the study are a layer-by-layer analysis of key artistic concepts in their relevance to the national language code, in identifying the functional characteristics of general cultural and individual-author elements of the concept sphere, in determining the cognitive-stylistic features of the poet’s idiollect. It is shown that the individual-author specifics of the RAUM conceptosphere by R. M. Rilke are distinguishing features of the categorization and specification of the semantics of concepts, whose names are the most common and significant lexemes with spatial semantics in the poet’s work. The significance of the spatial dimension in Rilke's poetry is indicated by the high recurrence of the exponents of the RAUM conceptosphere - the key concepts HAUS, ERDE, HIMMEL, WELTINNENRAUM together with other elements combined with them by synonymous, hyper-hyponymic and associative connection. It is proved that key concepts are a means of expressing personal meanings, the invariant content of which can be defined as the desire to overcome the limitations of earthly existence and to merge with a higher principle.https://www.nauka-dialog.ru/jour/article/view/1431cognitive poeticsart conceptconcept spherespaceidiostyle
spellingShingle E. N. Aznacheeva
O. A. Radchuk
Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
Научный диалог
cognitive poetics
art concept
concept sphere
space
idiostyle
title Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_full Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_fullStr Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_full_unstemmed Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_short Spatial Concepts RAUM, HAUS, ERDE, HIMMEL, WELTINNENRAUM in the Poetic Picture of the World R. M. Rilke
title_sort spatial concepts raum haus erde himmel weltinnenraum in the poetic picture of the world r m rilke
topic cognitive poetics
art concept
concept sphere
space
idiostyle
url https://www.nauka-dialog.ru/jour/article/view/1431
work_keys_str_mv AT enaznacheeva spatialconceptsraumhauserdehimmelweltinnenrauminthepoeticpictureoftheworldrmrilke
AT oaradchuk spatialconceptsraumhauserdehimmelweltinnenrauminthepoeticpictureoftheworldrmrilke