Jeunes en détention et jeux d’orchestration : à l’écoute du sensible

This article presents an action-research about a participative playing orchestra, created by the Esagramma centre in Milan realised in the Northern France prisons, in partnership with the University of Lille 3 and the interregional penitentiary board of Directors. The experience that took place in t...

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Main Author: Corinne Covez
Format: Article
Language:English
Published: Ecole Nationale de Protection Judiciaire de la Jeunesse 2016-12-01
Series:Sociétés et Jeunesses en Difficulté
Subjects:
Online Access:https://journals.openedition.org/sejed/8264
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author Corinne Covez
author_facet Corinne Covez
author_sort Corinne Covez
collection DOAJ
description This article presents an action-research about a participative playing orchestra, created by the Esagramma centre in Milan realised in the Northern France prisons, in partnership with the University of Lille 3 and the interregional penitentiary board of Directors. The experience that took place in the penitentiary establishment for minors of Quiévrechain is hereby explained. The proposed point of view is to connect the artistic practice with the paradigm of Sensible participating to the sensitive subject coming up. Therefore, the listening process developed during the musical practice and its playing orchestrations helps recognising a ruined sensitive life. This real musical and sensitive work represents a true way of meeting up with the self and others, rich of emotions, feelings and sense.
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series Sociétés et Jeunesses en Difficulté
spelling doaj-art-ee7abb016cb348fc8172a23c6ecbb7802025-08-20T01:56:14ZengEcole Nationale de Protection Judiciaire de la JeunesseSociétés et Jeunesses en Difficulté1953-83752016-12-01Jeunes en détention et jeux d’orchestration : à l’écoute du sensibleCorinne CovezThis article presents an action-research about a participative playing orchestra, created by the Esagramma centre in Milan realised in the Northern France prisons, in partnership with the University of Lille 3 and the interregional penitentiary board of Directors. The experience that took place in the penitentiary establishment for minors of Quiévrechain is hereby explained. The proposed point of view is to connect the artistic practice with the paradigm of Sensible participating to the sensitive subject coming up. Therefore, the listening process developed during the musical practice and its playing orchestrations helps recognising a ruined sensitive life. This real musical and sensitive work represents a true way of meeting up with the self and others, rich of emotions, feelings and sense.https://journals.openedition.org/sejed/8264prisonaction-researchartistic practiceparticipative orchestrasensitivityyouth at-risks
spellingShingle Corinne Covez
Jeunes en détention et jeux d’orchestration : à l’écoute du sensible
Sociétés et Jeunesses en Difficulté
prison
action-research
artistic practice
participative orchestra
sensitivity
youth at-risks
title Jeunes en détention et jeux d’orchestration : à l’écoute du sensible
title_full Jeunes en détention et jeux d’orchestration : à l’écoute du sensible
title_fullStr Jeunes en détention et jeux d’orchestration : à l’écoute du sensible
title_full_unstemmed Jeunes en détention et jeux d’orchestration : à l’écoute du sensible
title_short Jeunes en détention et jeux d’orchestration : à l’écoute du sensible
title_sort jeunes en detention et jeux d orchestration a l ecoute du sensible
topic prison
action-research
artistic practice
participative orchestra
sensitivity
youth at-risks
url https://journals.openedition.org/sejed/8264
work_keys_str_mv AT corinnecovez jeunesendetentionetjeuxdorchestrationalecoutedusensible