Plateformes alternatives et coopération d’acteurs : quels modèles d’accès aux contenus culturels ?

This research focuses on alternative platforms for accessing cultural content, based on cooperation between players, that have developed especially since 2010 at the margins of the dominant platforms. The product of a commitment shared by creators, producers, distributers and deciders, these initiat...

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Main Authors: Olivier THUILLAS, Louis WIART
Format: Article
Language:fra
Published: Association de Recherche en Technologies de l’Information et de la Communication 2019-04-01
Series:Tic & Société
Subjects:
Online Access:https://journals.openedition.org/ticetsociete/3043
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author Olivier THUILLAS
Louis WIART
author_facet Olivier THUILLAS
Louis WIART
author_sort Olivier THUILLAS
collection DOAJ
description This research focuses on alternative platforms for accessing cultural content, based on cooperation between players, that have developed especially since 2010 at the margins of the dominant platforms. The product of a commitment shared by creators, producers, distributers and deciders, these initiatives propose other platforms models, likely to better meet the interests of stakeholders. Based on a qualitative survey of 21 of these platforms in four cultural sectors (online bookstore, ticketing for live entertainment, recorded music, video on demand) we seek to understand the conditions of their development. Our results allow us to identify a set of common features and several operating models of these platforms.
format Article
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institution DOAJ
issn 1961-9510
language fra
publishDate 2019-04-01
publisher Association de Recherche en Technologies de l’Information et de la Communication
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series Tic & Société
spelling doaj-art-edd98928323d4f43828a81b24c8f05db2025-08-20T03:08:20ZfraAssociation de Recherche en Technologies de l’Information et de la CommunicationTic & Société1961-95102019-04-0113134110.4000/ticetsociete.3043Plateformes alternatives et coopération d’acteurs : quels modèles d’accès aux contenus culturels ?Olivier THUILLASLouis WIARTThis research focuses on alternative platforms for accessing cultural content, based on cooperation between players, that have developed especially since 2010 at the margins of the dominant platforms. The product of a commitment shared by creators, producers, distributers and deciders, these initiatives propose other platforms models, likely to better meet the interests of stakeholders. Based on a qualitative survey of 21 of these platforms in four cultural sectors (online bookstore, ticketing for live entertainment, recorded music, video on demand) we seek to understand the conditions of their development. Our results allow us to identify a set of common features and several operating models of these platforms.https://journals.openedition.org/ticetsociete/3043public policiescultural contentscooperationmodelalternative platforms
spellingShingle Olivier THUILLAS
Louis WIART
Plateformes alternatives et coopération d’acteurs : quels modèles d’accès aux contenus culturels ?
Tic & Société
public policies
cultural contents
cooperation
model
alternative platforms
title Plateformes alternatives et coopération d’acteurs : quels modèles d’accès aux contenus culturels ?
title_full Plateformes alternatives et coopération d’acteurs : quels modèles d’accès aux contenus culturels ?
title_fullStr Plateformes alternatives et coopération d’acteurs : quels modèles d’accès aux contenus culturels ?
title_full_unstemmed Plateformes alternatives et coopération d’acteurs : quels modèles d’accès aux contenus culturels ?
title_short Plateformes alternatives et coopération d’acteurs : quels modèles d’accès aux contenus culturels ?
title_sort plateformes alternatives et cooperation d acteurs quels modeles d acces aux contenus culturels
topic public policies
cultural contents
cooperation
model
alternative platforms
url https://journals.openedition.org/ticetsociete/3043
work_keys_str_mv AT olivierthuillas plateformesalternativesetcooperationdacteursquelsmodelesdaccesauxcontenusculturels
AT louiswiart plateformesalternativesetcooperationdacteursquelsmodelesdaccesauxcontenusculturels