The Iconology of Woman’s Position in the Painting of Adam and Eve’s Expulsion from Paradise in Tahmasbi’s Falnama (962-967 AH) from the Point of View of Ervin Panofsky (1892-1968 AD)
Shah Tahmasb Safavi pursued extremism during the latter portion of his reign. In this regard, women stayed at home. On the directive of Tahmasb, Tahmasabi composed his Falnama (962-967AH). Panofsky is one of the art history researchers who methodically organized iconology. He assigned three levels o...
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| Main Authors: | , |
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| Format: | Article |
| Language: | fas |
| Published: |
Center for Women and Family Studies, University of Tehran
2025-03-01
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| Series: | زن در فرهنگ و هنر |
| Subjects: | |
| Online Access: | https://jwica.ut.ac.ir/article_101680_db91ff99fd38bba75ea632836e548a14.pdf |
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