Las perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femenina

Within the modernist production, Las perlas de Rosa (1914), by Aurora Cáceres, constitutes an exceptional text because it presents the existential crisis of a woman in which the masculine modernist languages are put into play, contaminating them with a discourse of Christian forgiveness and redempti...

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Main Author: Elena Grau-Lleveria
Format: Article
Language:Spanish
Published: Groupe de Recherche Amérique Latine Histoire et Mémoire 2024-06-01
Series:Les Cahiers ALHIM
Subjects:
Online Access:https://journals.openedition.org/alhim/12252
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author Elena Grau-Lleveria
author_facet Elena Grau-Lleveria
author_sort Elena Grau-Lleveria
collection DOAJ
description Within the modernist production, Las perlas de Rosa (1914), by Aurora Cáceres, constitutes an exceptional text because it presents the existential crisis of a woman in which the masculine modernist languages are put into play, contaminating them with a discourse of Christian forgiveness and redemption that, in turn, alter the hegemonic feminine Catholic ideology of the time. The lines of critical analysis that I propose in this article address the configuration of the novel's aesthetic-ideological languages and its narrative structure. This allows me to analyze the life and the vital crisis of the protagonist as a staging of the political struggle that Cáceres developed in this text to propose an ideology of representation of femininity different from those proposed by the modernists but within a modernist aesthetic languages.
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institution Kabale University
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language Spanish
publishDate 2024-06-01
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spelling doaj-art-ed34fdb8880a4e82ae3bf32842568b0c2025-01-10T14:56:35ZspaGroupe de Recherche Amérique Latine Histoire et MémoireLes Cahiers ALHIM1628-67311777-51752024-06-014710.4000/11skhLas perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femeninaElena Grau-LleveriaWithin the modernist production, Las perlas de Rosa (1914), by Aurora Cáceres, constitutes an exceptional text because it presents the existential crisis of a woman in which the masculine modernist languages are put into play, contaminating them with a discourse of Christian forgiveness and redemption that, in turn, alter the hegemonic feminine Catholic ideology of the time. The lines of critical analysis that I propose in this article address the configuration of the novel's aesthetic-ideological languages and its narrative structure. This allows me to analyze the life and the vital crisis of the protagonist as a staging of the political struggle that Cáceres developed in this text to propose an ideology of representation of femininity different from those proposed by the modernists but within a modernist aesthetic languages.https://journals.openedition.org/alhim/12252feminismAurora Cáceresmodernismnarratology
spellingShingle Elena Grau-Lleveria
Las perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femenina
Les Cahiers ALHIM
feminism
Aurora Cáceres
modernism
narratology
title Las perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femenina
title_full Las perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femenina
title_fullStr Las perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femenina
title_full_unstemmed Las perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femenina
title_short Las perlas de Rosa (1914) de Aurora Cáceres: una bella muerte. Imaginarios estético-ideológicos modernistas de entre siglos en clave femenina
title_sort las perlas de rosa 1914 de aurora caceres una bella muerte imaginarios estetico ideologicos modernistas de entre siglos en clave femenina
topic feminism
Aurora Cáceres
modernism
narratology
url https://journals.openedition.org/alhim/12252
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