Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise
This essay argues that certain key factors lie behind the successful rapport that existed between late XVth and early XVIth interludes and their socially mixed audiences. The first is the capacity of the play area to elicit in the audience a sense of simultaneous participation in the world of the pl...
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| Format: | Article |
| Language: | English |
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Presses Universitaires du Midi
2011-09-01
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| Series: | Anglophonia |
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| Online Access: | https://journals.openedition.org/acs/768 |
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| _version_ | 1832579276926353408 |
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| author | André Lascombes |
| author_facet | André Lascombes |
| author_sort | André Lascombes |
| collection | DOAJ |
| description | This essay argues that certain key factors lie behind the successful rapport that existed between late XVth and early XVIth interludes and their socially mixed audiences. The first is the capacity of the play area to elicit in the audience a sense of simultaneous participation in the world of the play, and that of their social environment. Besides the various techniques of linguistic exchange, factors such as acting style and the frequent use of doubling and masking further served to reinforce a type of audience reception based on what one may term «diaphoric vision». Such authentic illusio is much richer and more pleasurable than «reality-based illusion» achieved through the realistic codes increasingly in use today. |
| format | Article |
| id | doaj-art-ec1a62725c6147a2a3b50c51da862633 |
| institution | Kabale University |
| issn | 1278-3331 2427-0466 |
| language | English |
| publishDate | 2011-09-01 |
| publisher | Presses Universitaires du Midi |
| record_format | Article |
| series | Anglophonia |
| spelling | doaj-art-ec1a62725c6147a2a3b50c51da8626332025-01-30T12:33:40ZengPresses Universitaires du MidiAnglophonia1278-33312427-04662011-09-012915717410.4000/caliban.768Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaiseAndré LascombesThis essay argues that certain key factors lie behind the successful rapport that existed between late XVth and early XVIth interludes and their socially mixed audiences. The first is the capacity of the play area to elicit in the audience a sense of simultaneous participation in the world of the play, and that of their social environment. Besides the various techniques of linguistic exchange, factors such as acting style and the frequent use of doubling and masking further served to reinforce a type of audience reception based on what one may term «diaphoric vision». Such authentic illusio is much richer and more pleasurable than «reality-based illusion» achieved through the realistic codes increasingly in use today.https://journals.openedition.org/acs/768illusio pré-moderne v. illusion réalistediaphoreplaisir au théâtrerelation au spectacle |
| spellingShingle | André Lascombes Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise Anglophonia illusio pré-moderne v. illusion réaliste diaphore plaisir au théâtre relation au spectacle |
| title | Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise |
| title_full | Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise |
| title_fullStr | Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise |
| title_full_unstemmed | Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise |
| title_short | Lieu partagé, jeu magnifié : protocole spectaculaire à la pré-Renaissance anglaise |
| title_sort | lieu partage jeu magnifie protocole spectaculaire a la pre renaissance anglaise |
| topic | illusio pré-moderne v. illusion réaliste diaphore plaisir au théâtre relation au spectacle |
| url | https://journals.openedition.org/acs/768 |
| work_keys_str_mv | AT andrelascombes lieupartagejeumagnifieprotocolespectaculairealaprerenaissanceanglaise |