The Duality of Toni Morrison’s <i>Beloved</i>: Postmodern Religious Symbols That Highlight the Inherited Legacy of the American South

Toni Morrison’s novel <i>Beloved</i> includes a namesake character representing both Christianity and African cosmology. Beloved is neither straightforwardly good nor evil but serves as a dualistic and spiritual symbol. Though one could interpret Morrison’s narrative to support a postmod...

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Main Author: Charity L. Gibson
Format: Article
Language:English
Published: MDPI AG 2025-02-01
Series:Religions
Subjects:
Online Access:https://www.mdpi.com/2077-1444/16/2/171
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author Charity L. Gibson
author_facet Charity L. Gibson
author_sort Charity L. Gibson
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description Toni Morrison’s novel <i>Beloved</i> includes a namesake character representing both Christianity and African cosmology. Beloved is neither straightforwardly good nor evil but serves as a dualistic and spiritual symbol. Though one could interpret Morrison’s narrative to support a postmodern religious multiplicity of voices, the potentially problematic theology still allows the readers to engage in useful discussions about the spiritual and cultural inheritance of the American South. Morrison’s narrative is only compatible with a Christian or African religious lens through recognizing symbolization as a representation of cultural manifestations rather than an endorsement of multiple worldviews.
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spelling doaj-art-eaf5b0774584416c9d761c3b6fa31b4a2025-08-20T02:44:39ZengMDPI AGReligions2077-14442025-02-0116217110.3390/rel16020171The Duality of Toni Morrison’s <i>Beloved</i>: Postmodern Religious Symbols That Highlight the Inherited Legacy of the American SouthCharity L. Gibson0College of the Ozarks, Point Lookout, MO 65737, USAToni Morrison’s novel <i>Beloved</i> includes a namesake character representing both Christianity and African cosmology. Beloved is neither straightforwardly good nor evil but serves as a dualistic and spiritual symbol. Though one could interpret Morrison’s narrative to support a postmodern religious multiplicity of voices, the potentially problematic theology still allows the readers to engage in useful discussions about the spiritual and cultural inheritance of the American South. Morrison’s narrative is only compatible with a Christian or African religious lens through recognizing symbolization as a representation of cultural manifestations rather than an endorsement of multiple worldviews.https://www.mdpi.com/2077-1444/16/2/171MorrisonAfrican religionChristianitypostmodernism<i>Beloved</i>
spellingShingle Charity L. Gibson
The Duality of Toni Morrison’s <i>Beloved</i>: Postmodern Religious Symbols That Highlight the Inherited Legacy of the American South
Religions
Morrison
African religion
Christianity
postmodernism
<i>Beloved</i>
title The Duality of Toni Morrison’s <i>Beloved</i>: Postmodern Religious Symbols That Highlight the Inherited Legacy of the American South
title_full The Duality of Toni Morrison’s <i>Beloved</i>: Postmodern Religious Symbols That Highlight the Inherited Legacy of the American South
title_fullStr The Duality of Toni Morrison’s <i>Beloved</i>: Postmodern Religious Symbols That Highlight the Inherited Legacy of the American South
title_full_unstemmed The Duality of Toni Morrison’s <i>Beloved</i>: Postmodern Religious Symbols That Highlight the Inherited Legacy of the American South
title_short The Duality of Toni Morrison’s <i>Beloved</i>: Postmodern Religious Symbols That Highlight the Inherited Legacy of the American South
title_sort duality of toni morrison s i beloved i postmodern religious symbols that highlight the inherited legacy of the american south
topic Morrison
African religion
Christianity
postmodernism
<i>Beloved</i>
url https://www.mdpi.com/2077-1444/16/2/171
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