Technika teatru w teatrze w wybranych baletowych konkretyzacjach
Two ballet performances are being analysed: Pietruszka by Igor Strawiński and Dama Kameliowa choreographed by John Neumier. The author discusses a metatheatrical character of the two performances, which reveals itself through a concept of “a theatre within a theatre”. The analyses presented in this...
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| Format: | Article |
| Language: | ces |
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University of Silesia Press
2020-11-01
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| Series: | Postscriptum Polonistyczne |
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| Online Access: | https://www.journals.us.edu.pl/index.php/PPol/article/view/10249 |
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| author | Monika Ziemba (Listowska) |
| author_facet | Monika Ziemba (Listowska) |
| author_sort | Monika Ziemba (Listowska) |
| collection | DOAJ |
| description | Two ballet performances are being analysed: Pietruszka by Igor Strawiński and Dama Kameliowa choreographed by John Neumier. The author discusses a metatheatrical character of the two performances, which reveals itself through a concept of “a theatre within a theatre”. The analyses presented in this article are rooted in a (slightly modified) methodological approach defined by Marcin Gmys. The analysis leads to the conclusion that the three subcodes (dance, music and drama) determine the functionality of the concept of ‘a theatre within a theatre’ in both performances. |
| format | Article |
| id | doaj-art-eace1e20c4e249de81b4574ed84f68ef |
| institution | OA Journals |
| issn | 1898-1593 2353-9844 |
| language | ces |
| publishDate | 2020-11-01 |
| publisher | University of Silesia Press |
| record_format | Article |
| series | Postscriptum Polonistyczne |
| spelling | doaj-art-eace1e20c4e249de81b4574ed84f68ef2025-08-20T02:15:45ZcesUniversity of Silesia PressPostscriptum Polonistyczne1898-15932353-98442020-11-01151Technika teatru w teatrze
w wybranych baletowych konkretyzacjachMonika Ziemba (Listowska)0mgr, Instytut Polonistyki, Wydział FilologicznoHistoryczny, Akademia Pomorska w Słupsku, Polska.Two ballet performances are being analysed: Pietruszka by Igor Strawiński and Dama Kameliowa choreographed by John Neumier. The author discusses a metatheatrical character of the two performances, which reveals itself through a concept of “a theatre within a theatre”. The analyses presented in this article are rooted in a (slightly modified) methodological approach defined by Marcin Gmys. The analysis leads to the conclusion that the three subcodes (dance, music and drama) determine the functionality of the concept of ‘a theatre within a theatre’ in both performances.https://www.journals.us.edu.pl/index.php/PPol/article/view/10249ballettheatremetatheatricality |
| spellingShingle | Monika Ziemba (Listowska) Technika teatru w teatrze w wybranych baletowych konkretyzacjach Postscriptum Polonistyczne ballet theatre metatheatricality |
| title | Technika teatru w teatrze
w wybranych baletowych konkretyzacjach |
| title_full | Technika teatru w teatrze
w wybranych baletowych konkretyzacjach |
| title_fullStr | Technika teatru w teatrze
w wybranych baletowych konkretyzacjach |
| title_full_unstemmed | Technika teatru w teatrze
w wybranych baletowych konkretyzacjach |
| title_short | Technika teatru w teatrze
w wybranych baletowych konkretyzacjach |
| title_sort | technika teatru w teatrze
w wybranych baletowych konkretyzacjach |
| topic | ballet theatre metatheatricality |
| url | https://www.journals.us.edu.pl/index.php/PPol/article/view/10249 |
| work_keys_str_mv | AT monikaziembalistowska technikateatruwteatrzewwybranychbaletowychkonkretyzacjach |