Some Remarks upon the Memorial Writing of W.G. Sebald

In two well-known passages from Paul Ricœur’s work (Ricœur 1990b, 187; 2006, 260), the author proposes approaching memorial writing of the Holocaust not necessarily in the same terms as historiography. On the basis of these passages, the aim of this article is to further explore Ricœur’s intuition...

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Main Author: Marco Franceschina
Format: Article
Language:English
Published: Donner Institute 2024-12-01
Series:Approaching Religion
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Online Access:https://journal.fi/ar/article/view/146243
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author Marco Franceschina
author_facet Marco Franceschina
author_sort Marco Franceschina
collection DOAJ
description In two well-known passages from Paul Ricœur’s work (Ricœur 1990b, 187; 2006, 260), the author proposes approaching memorial writing of the Holocaust not necessarily in the same terms as historiography. On the basis of these passages, the aim of this article is to further explore Ricœur’s intuition by suggesting a comparison with the prose of a contemporary author who intentionally seeks to create a hybrid between history and fiction: W. G. Sebald. Although Sebald never considered himself a novelist, his writing explicitly addresses the challenge of representing trauma, particularly in relation to the Holocaust. This article applies Ricœur’s insights on the function of the productive imagination and the effect on the reader to Sebald’s fragmentary style of writing. My thesis, derived from this application, insists on viewing memory in the face of horror and trauma not as something merely representational, but as a dynamic process we actively engage in, highlighting Ricœur’s emphasis on the role of reader in shaping our understanding of the past.
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spelling doaj-art-e9bd2a393be44fe6be58d38198d2197e2025-08-20T02:36:35ZengDonner InstituteApproaching Religion1799-31212024-12-0114310.30664/ar.146243Some Remarks upon the Memorial Writing of W.G. SebaldMarco Franceschina0University of Milan - EHESS Paris In two well-known passages from Paul Ricœur’s work (Ricœur 1990b, 187; 2006, 260), the author proposes approaching memorial writing of the Holocaust not necessarily in the same terms as historiography. On the basis of these passages, the aim of this article is to further explore Ricœur’s intuition by suggesting a comparison with the prose of a contemporary author who intentionally seeks to create a hybrid between history and fiction: W. G. Sebald. Although Sebald never considered himself a novelist, his writing explicitly addresses the challenge of representing trauma, particularly in relation to the Holocaust. This article applies Ricœur’s insights on the function of the productive imagination and the effect on the reader to Sebald’s fragmentary style of writing. My thesis, derived from this application, insists on viewing memory in the face of horror and trauma not as something merely representational, but as a dynamic process we actively engage in, highlighting Ricœur’s emphasis on the role of reader in shaping our understanding of the past. https://journal.fi/ar/article/view/146243P. RicoeurW.G. Sebaldmemoryaesthetics of receptionhermeneutics
spellingShingle Marco Franceschina
Some Remarks upon the Memorial Writing of W.G. Sebald
Approaching Religion
P. Ricoeur
W.G. Sebald
memory
aesthetics of reception
hermeneutics
title Some Remarks upon the Memorial Writing of W.G. Sebald
title_full Some Remarks upon the Memorial Writing of W.G. Sebald
title_fullStr Some Remarks upon the Memorial Writing of W.G. Sebald
title_full_unstemmed Some Remarks upon the Memorial Writing of W.G. Sebald
title_short Some Remarks upon the Memorial Writing of W.G. Sebald
title_sort some remarks upon the memorial writing of w g sebald
topic P. Ricoeur
W.G. Sebald
memory
aesthetics of reception
hermeneutics
url https://journal.fi/ar/article/view/146243
work_keys_str_mv AT marcofranceschina someremarksuponthememorialwritingofwgsebald