“I Make an Oath and Say as Follows”

The main claim of this study is that a dynamic repertoire of Indigenous linguistic conducts and judicial strategies exists in Yolngu (Australia) artworks misappropriation cases discussed before Australian courts, and that its examination helps to clarify Indigenous perspectives on the property of s...

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Main Author: Riccardo Mazzola
Format: Article
Language:English
Published: Oñati International Institute for the Sociology of Law 2022-09-01
Series:Oñati Socio-Legal Series
Subjects:
Online Access:https://opo.iisj.net/index.php/osls/article/view/1192
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author Riccardo Mazzola
author_facet Riccardo Mazzola
author_sort Riccardo Mazzola
collection DOAJ
description The main claim of this study is that a dynamic repertoire of Indigenous linguistic conducts and judicial strategies exists in Yolngu (Australia) artworks misappropriation cases discussed before Australian courts, and that its examination helps to clarify Indigenous perspectives on the property of sacred art. This essay – covering an almost untouched field in the literature on “Indigenous intellectual property” – enlightens Yolngu judicial strategies as their answer to the conundrum between the risk of a loss of their cultural identity and the advantage potentially deriving from a state recognition of Indigenous “intellectual property” rights. This study mainly relies on Yolngu and other subjects’ affidavits released throughout five significant 1990s lawsuits. Affidavits clearly show the two-folded nature of Yolngu judicial discourse on sacred art and copyright, simultaneously insisting on and (implicitly) dismissing an interpretation of Indigenous paintings as “intellectual property”.
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publisher Oñati International Institute for the Sociology of Law
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series Oñati Socio-Legal Series
spelling doaj-art-e9978ffa9fce408c88db4920e314bc992025-08-20T01:53:34ZengOñati International Institute for the Sociology of LawOñati Socio-Legal Series2079-59712022-09-0110410.35295/osls.iisl/0000-0000-0000-11352388“I Make an Oath and Say as Follows”Riccardo Mazzola0Università degli Studi di Milano The main claim of this study is that a dynamic repertoire of Indigenous linguistic conducts and judicial strategies exists in Yolngu (Australia) artworks misappropriation cases discussed before Australian courts, and that its examination helps to clarify Indigenous perspectives on the property of sacred art. This essay – covering an almost untouched field in the literature on “Indigenous intellectual property” – enlightens Yolngu judicial strategies as their answer to the conundrum between the risk of a loss of their cultural identity and the advantage potentially deriving from a state recognition of Indigenous “intellectual property” rights. This study mainly relies on Yolngu and other subjects’ affidavits released throughout five significant 1990s lawsuits. Affidavits clearly show the two-folded nature of Yolngu judicial discourse on sacred art and copyright, simultaneously insisting on and (implicitly) dismissing an interpretation of Indigenous paintings as “intellectual property”. https://opo.iisj.net/index.php/osls/article/view/1192YolnguIntellectual Property LawCultural MisappropriationIndigenous Art
spellingShingle Riccardo Mazzola
“I Make an Oath and Say as Follows”
Oñati Socio-Legal Series
Yolngu
Intellectual Property Law
Cultural Misappropriation
Indigenous Art
title “I Make an Oath and Say as Follows”
title_full “I Make an Oath and Say as Follows”
title_fullStr “I Make an Oath and Say as Follows”
title_full_unstemmed “I Make an Oath and Say as Follows”
title_short “I Make an Oath and Say as Follows”
title_sort i make an oath and say as follows
topic Yolngu
Intellectual Property Law
Cultural Misappropriation
Indigenous Art
url https://opo.iisj.net/index.php/osls/article/view/1192
work_keys_str_mv AT riccardomazzola imakeanoathandsayasfollows