The Image in Interaction and Proprioception
The image role in interactive and biosensorial artwork leads back to the term of animism. In that understanding, images of objects and beings are connected with physical objects and beings. We encounter attempts of animistic connection of images and objects in interactive artworks, images become...
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| Format: | Article |
| Language: | English |
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Vilnius Academy of Arts Press
2023-08-01
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| Series: | Acta Academiae Artium Vilnensis |
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| Online Access: | https://aaav.vda.lt/journal/article/view/165 |
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| _version_ | 1850275216180117504 |
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| author | Raivo Kelomees |
| author_facet | Raivo Kelomees |
| author_sort | Raivo Kelomees |
| collection | DOAJ |
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The image role in interactive and biosensorial artwork leads back to the term of animism. In that understanding, images of objects and beings are connected with physical objects and beings. We encounter attempts of animistic connection of images and objects in interactive artworks, images become alive. My argument is that in these artworks the rationalistic image-object and even viewer-artwork distinction is erased, moreover: the viewer becomes an image, the artwork. We can follow experiments in multimedia, telecommunication art, interactive art, and biofeedback art and see a gradual disappearance of the breach between the viewer and the image. This is a paradigmatically a new situation in art history where there is no distinction between viewer and the artwork.
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| format | Article |
| id | doaj-art-e993f5fc538e4a8c9f669199b43aef57 |
| institution | OA Journals |
| issn | 1392-0316 2783-6843 |
| language | English |
| publishDate | 2023-08-01 |
| publisher | Vilnius Academy of Arts Press |
| record_format | Article |
| series | Acta Academiae Artium Vilnensis |
| spelling | doaj-art-e993f5fc538e4a8c9f669199b43aef572025-08-20T01:50:52ZengVilnius Academy of Arts PressActa Academiae Artium Vilnensis1392-03162783-68432023-08-0110910.37522/aaav.109.2023.165The Image in Interaction and ProprioceptionRaivo Kelomees0Estonian Academy of Arts, Tallinn, Estonia The image role in interactive and biosensorial artwork leads back to the term of animism. In that understanding, images of objects and beings are connected with physical objects and beings. We encounter attempts of animistic connection of images and objects in interactive artworks, images become alive. My argument is that in these artworks the rationalistic image-object and even viewer-artwork distinction is erased, moreover: the viewer becomes an image, the artwork. We can follow experiments in multimedia, telecommunication art, interactive art, and biofeedback art and see a gradual disappearance of the breach between the viewer and the image. This is a paradigmatically a new situation in art history where there is no distinction between viewer and the artwork. https://aaav.vda.lt/journal/article/view/165animismimagehaptic visualityinteractive artbiofeedback artproprioception |
| spellingShingle | Raivo Kelomees The Image in Interaction and Proprioception Acta Academiae Artium Vilnensis animism image haptic visuality interactive art biofeedback art proprioception |
| title | The Image in Interaction and Proprioception |
| title_full | The Image in Interaction and Proprioception |
| title_fullStr | The Image in Interaction and Proprioception |
| title_full_unstemmed | The Image in Interaction and Proprioception |
| title_short | The Image in Interaction and Proprioception |
| title_sort | image in interaction and proprioception |
| topic | animism image haptic visuality interactive art biofeedback art proprioception |
| url | https://aaav.vda.lt/journal/article/view/165 |
| work_keys_str_mv | AT raivokelomees theimageininteractionandproprioception AT raivokelomees imageininteractionandproprioception |