Translating the Untranslatable: Cosmopolitan Oscar Wilde on Soviet Television

This article explores TV adaptations of Oscar Wilde’s plays and prose on the Soviet television of the so-called “stagnation” era of the late 1960s-early1980s. Though seemingly ideologically alien to the USSR, Wilde was a widely read and popular young-adult writer for the duration of the Soviet perio...

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Main Author: Gurfinkel, Helena
Format: Article
Language:English
Published: DigitalGeorgetown 2023-10-01
Series:Migrating Minds
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Online Access:https://repository.digital.georgetown.edu/handle/10822/1086506
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author Gurfinkel, Helena
author_facet Gurfinkel, Helena
author_sort Gurfinkel, Helena
collection DOAJ
description This article explores TV adaptations of Oscar Wilde’s plays and prose on the Soviet television of the so-called “stagnation” era of the late 1960s-early1980s. Though seemingly ideologically alien to the USSR, Wilde was a widely read and popular young-adult writer for the duration of the Soviet period. I will point to possible reasons for this unlikely popularity and look at two made-for-TV adaptations: The Importance of Being Earnest (1976) and The Picture of Dorian Gray (1968). As a queer cosmopolitan author, Wilde translates into, and undermines, a virulently anti-cosmopolitan culture. The adaptations in question use the guise of addressing and educating a young-adult audience to transmute queerness and the art-for-art’s-sake philosophy (both of which I identify with cosmopolitanism) into an ideologically hostile environment that delegitimizes them. Such adaptations both embody and pave the way for the more worldly and individualistic (in the Western sense of the word) art of the 1970, which, in turn, helped along the anti-totalitarian arc of the 1980s.
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spelling doaj-art-e8cdc07d6d6945a5980b3b8b799b5dee2025-08-20T01:54:11ZengDigitalGeorgetownMigrating Minds2993-10532023-10-0111110https://doi.org/10.57928/sg5z-xn24Translating the Untranslatable: Cosmopolitan Oscar Wilde on Soviet TelevisionGurfinkel, HelenaThis article explores TV adaptations of Oscar Wilde’s plays and prose on the Soviet television of the so-called “stagnation” era of the late 1960s-early1980s. Though seemingly ideologically alien to the USSR, Wilde was a widely read and popular young-adult writer for the duration of the Soviet period. I will point to possible reasons for this unlikely popularity and look at two made-for-TV adaptations: The Importance of Being Earnest (1976) and The Picture of Dorian Gray (1968). As a queer cosmopolitan author, Wilde translates into, and undermines, a virulently anti-cosmopolitan culture. The adaptations in question use the guise of addressing and educating a young-adult audience to transmute queerness and the art-for-art’s-sake philosophy (both of which I identify with cosmopolitanism) into an ideologically hostile environment that delegitimizes them. Such adaptations both embody and pave the way for the more worldly and individualistic (in the Western sense of the word) art of the 1970, which, in turn, helped along the anti-totalitarian arc of the 1980s.https://repository.digital.georgetown.edu/handle/10822/1086506cosmopolitanismadaptation
spellingShingle Gurfinkel, Helena
Translating the Untranslatable: Cosmopolitan Oscar Wilde on Soviet Television
Migrating Minds
cosmopolitanism
adaptation
title Translating the Untranslatable: Cosmopolitan Oscar Wilde on Soviet Television
title_full Translating the Untranslatable: Cosmopolitan Oscar Wilde on Soviet Television
title_fullStr Translating the Untranslatable: Cosmopolitan Oscar Wilde on Soviet Television
title_full_unstemmed Translating the Untranslatable: Cosmopolitan Oscar Wilde on Soviet Television
title_short Translating the Untranslatable: Cosmopolitan Oscar Wilde on Soviet Television
title_sort translating the untranslatable cosmopolitan oscar wilde on soviet television
topic cosmopolitanism
adaptation
url https://repository.digital.georgetown.edu/handle/10822/1086506
work_keys_str_mv AT gurfinkelhelena translatingtheuntranslatablecosmopolitanoscarwildeonsoviettelevision