New Musical Writing Processes for Cinema

New Musical Writing Processes for Cinema

Saved in:

Bibliographic Details
Main Authors:	Roberto Calabretto, Luca Cossettini, Donald Greig
Format:	Article
Language:	English
Published:	Milano University Press 2025-02-01
Series:	Cinéma & Cie
Subjects:	Digital Music and Cinema Electronic Music and Cinema Soundtrack Film Music Writing Film-Music Composers
Online Access:	https://riviste.unimi.it/index.php/cinemaetcie/article/view/27211
Tags:	Add Tag No Tags, Be the first to tag this record!

Similar Items

Jazzowość filmu - filmowość jazzu. O muzyce Krzysztofa Komedy w filmach krótkometrażowych Romana Polańskiego
by: Piotr Pomostowski
Published: (2012-01-01)

Muzyczny eklektyzm w trzech etiudach Romana Polańskiego. Rozbijemy zabawę, Lampa i Gdy spadają anioły
by: Piotr Pomostowski
Published: (2017-03-01)

Artistic Symbiosis: Orson Welles’s Othello (1951) as Cinematic Opera
by: Fátima Chinita
Published: (2022-12-01)

Du bruit musical pour repenser l’esthétique hugolienne dans Les misérables de Tom Hooper
by: Sabrina Zouagui
Published: (2024-12-01)

The New Digital Documentality of Contemporary Film Scoring Practices. Preliminary Results Based on Participant Observation at the Studio of North American Composer Christopher Young
by: Gabriele, et al.
Published: (2025-02-01)

Pengenalan Emosi dalam Musik Berdasarkan Musical Features Menggunakan Support Vector Regression
by: Emilia Widiyanti, et al.
Published: (2020-11-01)

„Patrzcie, oto jest film produkcji polskiej”. Przedwojenna polska komedia muzyczna jako musical
by: Małgorzata Nowińska
Published: (2023-01-01)

Analysis of the Music of Prestij Meselesi in the Context of Adorno’s Critical Sociology of Music
by: İbrahim Öksüz
Published: (2024-07-01)

ARTISTIC TRINITY: LITERATURE – CINEMA – MUSIC (THE FILM “EARTH” BY O. DOVZHENKO)
by: Larysa M. Gorbolis, et al.
Published: (2023-12-01)

CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS
by: Aaron FAZAKAS
Published: (2011-06-01)

How the use of music writing can enhance the understanding of a musical notation system among instrumental pupils
by: Katarzyna Julia Leikvoll
Published: (2025-12-01)

The drama of the soundtrack in Al Ressala film as a model
by: Seerwan Mohemmad Mustafa, et al.
Published: (2021-02-01)

Du rythme visuel au « rythme spatial du visible » : pour une musicalité spécifique au cinéma
by: Antoine Gaudin
Published: (2024-07-01)

Style-Based Composer Identification and Attribution of Symbolic Music Scores: A Systematic Survey
by: Federico Simonetta
Published: (2025-07-01)

« Alegres trabajan ya los negros del barracón » : la représentation de l’esclavage dans le cinéma prérévolutionnaire cubain
by: Emmanuel Vincenot
Published: (2014-07-01)

Power Dynamics in Music: Creative Power
by: Bedirhan Büyükduman, et al.
Published: (2024-12-01)

Intermedial Negative: The Role of Punk Cinema in the Downtown Scene (New York, 1976-1984)
by: Céline Murillo
Published: (2022-12-01)

Filmy dla muzyki. Edgar Varèse i Bill Viola
by: Anno Mungen
Published: (2009-06-01)

AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY
by: Luminiţa GUŢANU
Published: (2011-06-01)

The Cinematic Visions and Dreams of Edgard Varèse
by: Gabriele
Published: (2025-02-01)

FROM THE AVANT-GARDE TO THE DIGITAL AGE: HOW TECHNOLOGY CHANGED THE ART OF MUSIC IN THE TWENTIETH CENTURY
by: Artem LIAKHOVYCH, et al.
Published: (2025-07-01)

Musicalisation de la voix et du geste à l’écran dans les films anglophones contemporains, de V pour Vendetta (McTeigue, 2005) à Us (Peele, 2019)
by: Chloé Huvet
Published: (2024-07-01)

The Call of the Beyond: Music in Antonioni’s Red Desert
by: Frolova-Walker Marina
Published: (2018-06-01)

The Aesthetic Functionality of the Pictorial Composition for the Musical Film
by: Samer Taha Salem Hassan
Published: (2023-09-01)

Peculiarities of the Development of Students’ Musical Skills Under the Influence of Modern Software
by: Hui Yang
Published: (2025-02-01)

IAC: AN INTERACTIVE MUSIC SYSTEM
by: Adrian BORZA
Published: (2009-06-01)

21st Century Dylan. Late and Timely. Edited by Laurence Estanove, Adrian Grafe, Andrew McKeown, Claire Hélie. New York/London: Bloomsbury Academic, 2021, 236 p.
by: Cyril Camus
Published: (2021-10-01)

New ‘Film’ or ‘Cinema’ History: Reflections on Emerging Principles, Theories and Methodologies in Cinema Historiography
by: Muhammet Enes AKDAĞ
Published: (2024-10-01)

The Compositional Styles Of A Legendary Theatrical Music Composer: Hubert Ogunde
by: Mary Taiwo Omotosho
Published: (2025-02-01)

Renegotiating the Borders of National Culture: Polish Émigré Composers and National Music Histories in the Twentieth Century
by: Lisa Cooper Vest
Published: (2024-07-01)

Kulturna politika i popularna glazba
by: Lada Duraković
Published: (2024-06-01)

SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS
by: Adél FEKETE
Published: (2014-12-01)

“Music Therapy Moments”. Personal Experiences on the Path to a Music Therapy Profession. Scientific opportunities
by: Magdolna SZABADI
Published: (2025-06-01)

Types of Recording, Types of Performance and the Ontological Identity of Musical Works
by: Alessandro Arbo
Published: (2025-02-01)

ANALYZING MUSIC IN TV SHOWS: SOME METHODOLOGICAL CONSIDERATIONS / АНАЛИЗ МУЗЫКИ В ТЕЛЕВИЗИОННЫХ СЕРИАЛАХ: НЕКОТОРЫЕ МЕТОДОЛОГИЧЕСКИЕ СООБРАЖЕНИЯ
by: PIOTROWSKA ANNA G. / ПИОТРОВСКА АННА
Published: (2018-09-01)

La valeur parenthétique de la musique au cinéma : fondements musicologiques et picturaux
by: Mario Adobati
Published: (2024-07-01)

Composing Social Media. The Representation of the Physicality-Virtuality Continuum in Óscar Escudero and Belenish Moreno-Gil’s Works
by: Ferran Planas Pla
Published: (2021-07-01)

Religious Symbolism, Rock Dramaturgy and the Buzz of the Era in the Soundtrack of the Film The Lovers’ Romance
by: Zhurkova Daria A.
Published: (2025-06-01)

n-gram-based approach to composer recognition
by: Jacek WOŁKOWICZ, et al.
Published: (2014-03-01)

Development and Psychometric Evaluation of a Musical Profile Questionnaire (MPQ): A Contribution for Music Education
by: José Salvador Blasco-Magraner, et al.
Published: (2025-07-01)