Hic et Nunc. Critical Elements for a Techno-Aesthetics of Performance

This study aims to show under what conditions it is possible to use Simondon's "techno-aesthetics" to think about performance art. After stating two series of difficulties concerning on the one hand the programmatic dimension of Simondon's "techno-aesthetics" and the p...

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Main Author: Ludovic Duhem
Format: Article
Language:English
Published: Universidade Católica Portuguesa 2024-12-01
Series:Journal of Science and Technology of the Arts
Subjects:
Online Access:https://revistas.ucp.pt/index.php/jsta/article/view/17616
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author Ludovic Duhem
author_facet Ludovic Duhem
author_sort Ludovic Duhem
collection DOAJ
description This study aims to show under what conditions it is possible to use Simondon's "techno-aesthetics" to think about performance art. After stating two series of difficulties concerning on the one hand the programmatic dimension of Simondon's "techno-aesthetics" and the problem of the privilege granted to the object; and on the other hand the problem of technique in performance; this article first proposes to replace Simondon's proposition in a short history of techno-aesthetics in philosophy. It then presents an analysis of Simondon's main text on techno-aesthetics. Finally, it seeks to define the main elements of a techno-aesthetics of performance. It is a question of proposing an introduction to techno-aesthetics that completes previous works.
format Article
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institution DOAJ
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publishDate 2024-12-01
publisher Universidade Católica Portuguesa
record_format Article
series Journal of Science and Technology of the Arts
spelling doaj-art-e89dad6177ea4d06961d8cabe132c23c2025-08-20T03:01:21ZengUniversidade Católica PortuguesaJournal of Science and Technology of the Arts1646-97982183-00882024-12-0116210.34632/jsta.2024.17616Hic et Nunc. Critical Elements for a Techno-Aesthetics of PerformanceLudovic Duhem0Haute École des Arts du Rhin de Strasbourg This study aims to show under what conditions it is possible to use Simondon's "techno-aesthetics" to think about performance art. After stating two series of difficulties concerning on the one hand the programmatic dimension of Simondon's "techno-aesthetics" and the problem of the privilege granted to the object; and on the other hand the problem of technique in performance; this article first proposes to replace Simondon's proposition in a short history of techno-aesthetics in philosophy. It then presents an analysis of Simondon's main text on techno-aesthetics. Finally, it seeks to define the main elements of a techno-aesthetics of performance. It is a question of proposing an introduction to techno-aesthetics that completes previous works. https://revistas.ucp.pt/index.php/jsta/article/view/17616Techno-aestheticsPerformanceGilbert SimondonActionIndividuationMilieu
spellingShingle Ludovic Duhem
Hic et Nunc. Critical Elements for a Techno-Aesthetics of Performance
Journal of Science and Technology of the Arts
Techno-aesthetics
Performance
Gilbert Simondon
Action
Individuation
Milieu
title Hic et Nunc. Critical Elements for a Techno-Aesthetics of Performance
title_full Hic et Nunc. Critical Elements for a Techno-Aesthetics of Performance
title_fullStr Hic et Nunc. Critical Elements for a Techno-Aesthetics of Performance
title_full_unstemmed Hic et Nunc. Critical Elements for a Techno-Aesthetics of Performance
title_short Hic et Nunc. Critical Elements for a Techno-Aesthetics of Performance
title_sort hic et nunc critical elements for a techno aesthetics of performance
topic Techno-aesthetics
Performance
Gilbert Simondon
Action
Individuation
Milieu
url https://revistas.ucp.pt/index.php/jsta/article/view/17616
work_keys_str_mv AT ludovicduhem hicetnunccriticalelementsforatechnoaestheticsofperformance