Hic et Nunc. Critical Elements for a Techno-Aesthetics of Performance
This study aims to show under what conditions it is possible to use Simondon's "techno-aesthetics" to think about performance art. After stating two series of difficulties concerning on the one hand the programmatic dimension of Simondon's "techno-aesthetics" and the p...
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| Format: | Article |
| Language: | English |
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Universidade Católica Portuguesa
2024-12-01
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| Series: | Journal of Science and Technology of the Arts |
| Subjects: | |
| Online Access: | https://revistas.ucp.pt/index.php/jsta/article/view/17616 |
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| Summary: | This study aims to show under what conditions it is possible to use Simondon's "techno-aesthetics" to think about performance art. After stating two series of difficulties concerning on the one hand the programmatic dimension of Simondon's "techno-aesthetics" and the problem of the privilege granted to the object; and on the other hand the problem of technique in performance; this article first proposes to replace Simondon's proposition in a short history of techno-aesthetics in philosophy. It then presents an analysis of Simondon's main text on techno-aesthetics. Finally, it seeks to define the main elements of a techno-aesthetics of performance. It is a question of proposing an introduction to techno-aesthetics that completes previous works.
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| ISSN: | 1646-9798 2183-0088 |