Neon Genesis Evangelion ou la déconstruction du robot anime
In Japan, the growth of manga and cartoons adaptation on television can not be separate from science fiction and the development of the robot anime genre. Standing out from the traditional representation of giant robots generally imposed by toy makers, Neon Genesis Evangelion’s creatures blend scien...
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| Format: | Article |
| Language: | fra |
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Université Gustave Eiffel
2017-06-01
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| Series: | ReS Futurae |
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| Online Access: | https://journals.openedition.org/resf/954 |
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| _version_ | 1849697664730398720 |
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| author | Bounthavy Suvilay |
| author_facet | Bounthavy Suvilay |
| author_sort | Bounthavy Suvilay |
| collection | DOAJ |
| description | In Japan, the growth of manga and cartoons adaptation on television can not be separate from science fiction and the development of the robot anime genre. Standing out from the traditional representation of giant robots generally imposed by toy makers, Neon Genesis Evangelion’s creatures blend science, religion and psychoanalysis in a plot that reflects the attitude of the SF amateurs and the position of the director of the series within the Japanese animation industry. At the level of production, it is a demonstration of the versatility of the animated medium and its capacity to adapt to different kinds of narrative. To show how the production conditions impact the aesthetics and the narratives, this paper explores the poetics of the medium and demonstrates that Evangelion is a metanarrative fiction that deconstructs the robot anime’s standards while exposing the process of its serial creation. |
| format | Article |
| id | doaj-art-e86b0435d7154296841a7a711054b733 |
| institution | DOAJ |
| issn | 2264-6949 |
| language | fra |
| publishDate | 2017-06-01 |
| publisher | Université Gustave Eiffel |
| record_format | Article |
| series | ReS Futurae |
| spelling | doaj-art-e86b0435d7154296841a7a711054b7332025-08-20T03:19:10ZfraUniversité Gustave EiffelReS Futurae2264-69492017-06-01910.4000/resf.954Neon Genesis Evangelion ou la déconstruction du robot animeBounthavy SuvilayIn Japan, the growth of manga and cartoons adaptation on television can not be separate from science fiction and the development of the robot anime genre. Standing out from the traditional representation of giant robots generally imposed by toy makers, Neon Genesis Evangelion’s creatures blend science, religion and psychoanalysis in a plot that reflects the attitude of the SF amateurs and the position of the director of the series within the Japanese animation industry. At the level of production, it is a demonstration of the versatility of the animated medium and its capacity to adapt to different kinds of narrative. To show how the production conditions impact the aesthetics and the narratives, this paper explores the poetics of the medium and demonstrates that Evangelion is a metanarrative fiction that deconstructs the robot anime’s standards while exposing the process of its serial creation.https://journals.openedition.org/resf/954Gainaxrobot animelimited animation |
| spellingShingle | Bounthavy Suvilay Neon Genesis Evangelion ou la déconstruction du robot anime ReS Futurae Gainax robot anime limited animation |
| title | Neon Genesis Evangelion ou la déconstruction du robot anime |
| title_full | Neon Genesis Evangelion ou la déconstruction du robot anime |
| title_fullStr | Neon Genesis Evangelion ou la déconstruction du robot anime |
| title_full_unstemmed | Neon Genesis Evangelion ou la déconstruction du robot anime |
| title_short | Neon Genesis Evangelion ou la déconstruction du robot anime |
| title_sort | neon genesis evangelion ou la deconstruction du robot anime |
| topic | Gainax robot anime limited animation |
| url | https://journals.openedition.org/resf/954 |
| work_keys_str_mv | AT bounthavysuvilay neongenesisevangelionouladeconstructiondurobotanime |